Arrow returned from a long break of some six weeks or thereabouts three weeks ago and just while things were building up the momentum once again, it is taking a two-week break for the next two weeks. It will return on February 26th. But to help us tide over, this week’s episode packed a hell of a lot of awesome, just as the mid-season finale did with everything that went on with Barry Allen and Sebastian Blood and Roy Harper. I’ve said several times that I love the show despite its faults, because it does a ton of things right, and because it has improved a lot since its first season.
This week’s episode, titled Heir of the Demon, brings back Sara Lance aka Canary and it also introduces Katrina Law as Nyssa Al Ghul, the daughter of Ra’s Al Ghul, the immortal leader of the League of Assassins, of which Canary is a part. The majority of the episode is focused on the relationship that Sara has with Ra’s, and it also gives us some interesting flashbacks to six years back before Ollie and his father went on that fateful trip on their yacht. This particular episode packed in a ton of emotional drama that I really liked, and for that alone, I loved it.
Note: This review contains some significant spoilers.
After all the exciting epilogue-ish reveals of last week’s episode, Arrow did one better this week by dropping a big bomb on the proceedings and showing that whatever we as viewers thought was going to happen with certain characters isn’t quite going to happen like we imagined. I love the format that the show has evolved into, where the last five minutes or so are often used to drop hints and clues as to the larger story arcs of the season. Last week’s highlight was we saw Slade Wilson as Deathstroke, in full gear, laying down justice on four of Blood’s henchmen for the price of Blood failing in his mission. This week, well, this week was quite special altogether on a different note.
Once again, we have an aptly named episode. While the name “Tremors” might give you certain ideas about the plot of the episode, it is also something more, it is about the shake-ups in the lives of the main cast and the supporting cast. Each and every character in the show is impacted to a certain degree here and their world is shaken up because of it. All I can say on seeing the episode is that I am still in love with the show. It is going from strength to strength and is finally picking up the momentum after the recent six-week break.
With the show back on air for season 2 following the recent big break and the awesomeness of seeing Barry Allen on the show in the moments before he becomes The Flash, its time to get the momentum going once more for Arrow. The mid-season finale was a hell of a place to stop before the long break, and while the mid-season premiere wasn’t quite what I was looking for despite being a good episode, my enthusiasm in the show is undimmed. In fact, each and every week I am more and more excited because the show has surpassed pretty much all my expectations of it in this season.
Episode 11 is, first and foremost, aptly named: “Blind Spot“. It is all about the blind spots that the various leading characters have with regards to each other. This episode does a great job of thematically exploring that concept even though that’s pretty much what a lot of it has been about from the get go. But I dare say that nothing we’ve seen so far has been quite on point as in this episode. And additionally, the biggest thing of all, I finally got to saw one particular character kick ass just the way that I wanted the character to ever since the character’s first moment on the show. So indeed, this was a pretty good show.
Note: The review contains a spoiler to a really awesome and cool moment from the mid-season finale, episode nine.
Its been a long, long wait, but after almost a month, Arrow returned this week to CW and all was right with the world. In episode 9, the mid-season finale before the Christmas/New Year break, we got a really good half-resolution to the second season and saw a lot of new beginnings for various characters. Mirakuru, Sebastian Blood, Slade Wilson, Barry Allen, Roy, and a lot of other things got addressed, and it was a really fun time. There was also a character death involved, which was really heartbreaking, but something like that was coming, so I wasn’t too shocked by it. Saddened yes. Still, all in all, CW ended things on a good note.
And now we are here with episode 10 as things get back underway once more and we see some bigger changes on the horizon than we have seen before. Overall, while I liked the new episode, I have to say that at times it felt as if the writers were channeling the season 1 mentality rather than the season 2 mentality. The show wasn’t quite as intense as previous episodes have been this season and if I had to sum it up, I’d say that they played off things safe rather than take some left-field chances. But that’s fine with me. There’s been a long break in between the mid-season finale and this episode, so they need to rebuild their momentum so to speak.
Here we are, the mid-season finale of Arrow for its second season. Up until now, in almost each episode, we’ve seen how the writers, the producers, the actors and the directors and everybody else involved have all tried to push the bar and set new levels of achievement with the show. The season started off really well and as expected, the mid-season finale something of a smash-hit as well. The defining thing about this season has been the show’s willingness to take characters and concepts from the comics and reinvent them for a modern television audience who are looking for a balance between the goofy comic concepts and something that they can well relate to.
This week’s episode, the last one we’ll have since the show is now on a one-month break till January 15th, is the second of a 2-part arc which saw the introduction of Barry Allen aka The Flash, one of the core characters of the DC comics universe and a major hitter since he’s been a part of various Justice League teams since his intro. But things didn’t end there of course. Given the long break, the writers tie up a lot of the loose ends and give closure to quite a few subplots that had been running through the season so far. And they do it all in fantastic style. As I mentioned to various friends on Twitter, the last five minutes of the episode left me with my jaw hanging open.
Three Ghosts was a damn awesome episode and I seriously wish that all future episodes are this good.
Note: This review contains some minor spoilers about the episode, although your mileage may vary.
This week, to acknowledge that his Facebook page hit 400,000 likes, Arrow lead actor Stephen Amell posted a 14min Q&A video in which he answered some fan questions that he had taken on his page. In response to one of them, he said that he believes a show should get better, should improve, as it went along in the season. And he firmly believes that every episode this season has been better than the one before. And I agree. It so happened that right after I saw that video, I saw this week’s episode of the show, with a ton of excitement locked in because it was going to debut one of my favourite superheroes, Barry Allen, in a pre-origin role.
And it was good. Good. GOOD more like it. Aside from a few small things that I found problematic, this episode is true to the spirit of the show, particularly this season where Starling City is transformed into the City of Heroes. More great scenes on the Island, more character drama, more top-notch action, a commitment to the idea of superheroes, and supervillains, and more on the epic cliffhanger that we had with the previous episode, something that is going to become a much more intrinsic part of this season.
Note: this review contains some minor spoilers.