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Detective Comics #29 (Comics Review)
This past week, John Layman ended his excellent run on Detective Comics with #29, which also marks the end of his 3-part Gothtopia arc, in which the Scarecrow created a serum to make everyone happy and caused a mass delusion that Gotham was the safest and greatest city in America. He even managed to subvert all the heroes and drew in a number of… medically-oriented villains to his cause, such as Harley Quinn, Professor Pyg, Mr. Freeze and the Merry Maker. But now, the Great Detective is on to them, and the fight is for the future of Gotham and the entire American eastern seaboard.
When Gothtopia was teased out with Layman’s contribution to Detective Comics #27, I was pretty excited. In the New 52, it seemed to be a pretty unique story, and when all the tie-ins came, I was even more excited. Well, except for the Catwoman tie-in, which wasn’t all that good really. But, Layman delivered quite handsomely on the entire premise, and he wraps up things in this issue with a bit of the panache that I expected. Its not as good a story as the previous two issues, but I liked. And the art by Aaron Lopresti and Art Thibert continues to be awesome, so that’s something as well.
Detective Comics #28 (Comics Review)
John Layman’s run on Detective Comics is coming to a close very soon. The few of his issues that I’ve read, particularly the fourth volume of the new series, have been really good, and he has certainly impressed me with each issue. In fact, I’ll go one step further and say that he is one of my favourite writers at the moment. This weekend, I got to meet him in person at Comic Con India and it was great! Given some of my other plans this year, I’ll be reading his other series Chew quite soon, probably once his excellent Gothtopia arc on Detective Comics is done.
In last month’s celebratory issue, we saw the beginning of Gothtopia, a story in which Gotham is the safest city in America, by far, and where crime is at an all-time low. In fact, it is virtually extinct, except for suicide rates going up. Seemingly an Elseworlds take at first, the story quickly morphs into something else, and things really get interesting. In the new issue this past week, John fills in some of the blanks and shows how things got to this point. And Aaron Lopresti’s artwork is just as amazing as ever, supporting John’s script in every way.
Forever Evil: Arkham War #2 by Peter J. Tomasi (Comics Review)
DC’s Forever Evil is hitting its stride as the main-event and the four tie-ins across some seven titles get off to a rollicking start and move into their meatier moments. There is absolute chaos in the world right now and in Tomasi’s Arkham War mini-series, we see how that chaos is mirrored in the no-holds barred chaos in Gotham, where two criminal factions are going full-out at each other. Bane, powered by the Venom super-serum is leading one side, while the Society-backed Scarecrow is leading the other side, defined by the majority of the freak villains that call the city their playground.
The first issue of the series was quite promising. It was slightly better than I expected and the way that Tomasi wrote all the character interactions and sprinkled the hints of his longer plan for the series was really engaging. Of course, I didn’t get the big all-out fight I expected but the issue gave me enough to come back for this issue, which does involve some big splash scenes between the villains (and supervillains) of both sides. But, there are a few missteps made that I find really, really odd.