Aquaman is one of those few DC books that nicely mixes in humour with otherwise dark events, and even just events with a huge scope at that which deeply and personally change the world-view of the characters irreversibly. But at the same time, Aquaman’s story is one about hope and determination. At several times during his run, Johns emphasised this and ran with it as far as he could take it. It proved to be a really good time. And now it looks like the new writer on the team, Jeff Parker, is cut from the same cloth because that’s pretty much what Aquaman #28 was all about.
In his first two issues on the title, Jeff worked to expand the scope of Aquaman’s world, introducing new characters and new monsters. And he did it in pretty good style too. Now in Aquaman #28 he finally makes two worlds collide as Aquaman finally learns of the newest threat to Atlantis, involving another conspiracy against the underwater empire. I really must say that I enjoyed this issue as much as I did the previous two. On the art side, I didn’t like it so much, because Aquaman and some of his supporting cast looked a bit beefed up and they didn’t look like their previous incarnations either. But it was overall still good.
In December Jeff Parker took over writing duties on Aquaman from Geoff Johns. After more than two years of Geoff’s excellent run on the title, which saw the title become one of DC’s best-selling titles in the New 52, we are finally getting a fresh perspective on things and based on #26 and #27 both, I have to say that some really exciting times are ahead for the readers. The previous issue was almost perfect. It met my expectations and it has some great story and art both.
This past week’s #27 proved to be another good installment of the series. It wraps up the plot with the Atlantean mythological sea-monster that was terrorising Reykjavik, Iceland and at the same time it furthers the subplot involving the political tensions in Arthur’s advisory council while also giving us more information on Triton Base, a hidden underwater research base created to investigate future potential threats from the underwater kingdom and Aquaman’s relationship to it, among other things. And the art was also good, although the switch at the end with the pencillers created a bit of a WTF moment.