Tales of Honor is the adaptation of David Weber’s Honor Harrington novel series and is written by Matt Hawkins, who is one of my favourite writers in the biz, and is drawn by Linda Sejic, an artist I don’t have much of an experience with, but love her work nonetheless. I’ve read a couple issues of the previous Tales of Honor volume, and even the recent FCBD issue, not to mention that I read the first novel recently as well, so I’m pretty well-versed with the setting and the characters, and going into this new arc, that’s a good thing since I can orient myself that much quicker.
Tales of Honor: Bred To Kill #1 picks up sometime after the recent war with the People’s Republic of Haven in the Basilisk system, and it has Honor coming back during some downtime from her job as the Captain of the HMS Fearless in order to discover the whereabouts of a missing relative. As the start to a new arc, Hawkins and co-writer Dan Wickline quickly establish the titular character’s “need to knows”, and move on with the meat of the story, which proves to be fairly interesting, and the corresponding art by Linda stands out as well, easily on par with some of the other top-notch stuff I’ve seen of late from various creators, including Linda’s husband Stjepan who is at the top of his game right now.
It is all well and good to have your hero triumph over villains who just aren’t on the same level as him. It is always thrilling to have Superman go up against low-key baddies, for example, but the true thrill only comes when he goes up against Darkseid, Brainiac or Lex Luthor, say. The same holds true for John Carter as well. It is awesome to see him fight against rogue Tharks and the other dangers of Barsoom, but when he is faced with another superhuman like Captain Joshua Clark, that’s when things get really interesting.
Having seen how their rivalry came about in the previous issues, and just why Clark hates Carter so much, issues #5 and #6 get down into the nitty-gritty of their final battle against each other, to decide who is the better man after all. And writer Ron Marz certainly doesn’t pull any punches in that regard. He keeps everything focused on the end-goal, and ends the first arc of the series on a great note. Similarly, artists Abhishek Malsuni and Roberto Castro do their best and the art on the series is as good as it was in the beginning.
There haven’t been any “Comics Picks of the Week” articles for a while, and the major reason for that is because I’ve just been too caught up with other stuff and I just can’t be… well bothered. It just takes too much out of my time to keep these titles going, especially when Wednesdays also see me trying to get through two TV shows and doing reviews for them. Though, that situation has kind of abated now.
Anyway, this week’s surprise hits were Batman: Arkham Knight #2 and Gotham Central Book 1 from DC. It was a relatively small week for me since I didn’t read all that many new titles and most of those were middling. Ongoing greats were Django/Zorro #4, John Carter: Warlord of Mars #4, Fantastic Four #643 , Inhuman #12, Aquaman #39 , Catwoman #39 , and He-Man: The Eternity War #3 among others .
Marvel launched its new line of Star Wars comics in January/February and one of the many new titles is Darth Vader, which is set in the aftermath of the Battle of Yavin and has Darth Vader trying to make up for his mistakes. Or at least, that’s what I think writer Kieron Gillen is attempting to do here, but the first issue fell flat for me as far as the story and the characters go, though the art wasn’t so bad and was fairly decent in places. Being a huge fan of the titular character, this did not seem like a good start to me at all, especially as I’m still sour on the whole deal with Marvel getting back the rights to these comics.
Darth Vader #2 continues the story of the titular character having been verbally punished by the Emperor and going on a crusade to hunt down the rebels who so confounded him at Yavin, particularly the young pilot who destroyed the Death Star, a supposedly impregnable battle station the size of a moon. And my issues with the story continued, what with General Tagge being an absolute ass in this issue, acting just like the pompous fool of an Imperial officer I’ve come to expect. The art was marginally better too.
One of the newest kids on the block, John Carter: Warlord of Mars has turned out to be pretty impressive, reminding me of Arvid Nelson’s first arc on Warlord of Mars, which totally made me fall in love with the characters and the setting, though the movie John Carter had done that already to a great extent. The comics were just icing on the cake. In the soft-rebooted world of the new series, writer Ron Marz goes forward in a great way, touching on things we haven’t seen before, and artist Abhishek Malsuni has contributed well, creating some really strong visuals.
From this past week, John Carter: Warlord of Mars #4 finally touches on the animosity between John Carter and Captain Clark by giving us a flashback to the battle that set off their rivalry in the first place. And it makes for a really great read since that first meeting was under banners of war, much as their reunion in the present is going to be. Captain Clark has slowly developed as a major villain for John Carter, and this issue adds some much-needed backstory, not to mention that the artwork as a whole continues to be good.
As part of its bid to “revitalize” the Star Wars franchise, having recently acquired it from George Lucas, Disney last month launched a new Star Wars comic that resets the entire comics-verse established by Dark Horse Comics to just the six movies, the ongoing Star Wars: Rebels show, and something else that I can’t quite recall. The new comic is set in-between the original movie and its sequel, and it follows on from what the Rebels and the Empire did in the intervening time. It was a somewhat better comic than I expected, but also of a letdown in some ways.
So I was expecting this past week’s Darth Vader #1 to be different and be better, but I had my doubts about it since Kieron Gillen’s writing is extremely hit-and-miss for me, which the writer proves yet again with this issue. The artwork here is actually pretty good, which you expect from a team that boasts of Salvador Larroca and Edgar Delgado, but the writing definitely did NOT impress me, and it is frankly one big mess that I really didn’t get. Plus it seems to show Darth Vader and the Emperor both as very petty and one-sided characters, which didn’t help things.
Another week of a “Magic 40″, though no graphic novels.
This week’s surprise hits were Ivar, Timewalker #1 from Valiant, Mortal Kombat X #4 from DC, and Twilight Zone: Shadow And Substance #1 from Dynamite. The disappointments of the week were Spider-Woman #3 from Dynamite and Spider-Verse #2 and The Amazing Spider-Man #13 from Marvel and Vampirella: Feary Tales #4 from Dynamite. Ongoing greats were Wonder Woman ’77 #3 , The Flash: Season Zero #11 and Supergirl #38 from DC, Black Widow #14 and Bucky Barnes: The Winter Soldier #4 from Marvel, and, Grimm Fairy Tales: Realm War #6 from Zenescope among others.
Last Fast-Shot Comics Review for comics released in January 2015!
The picks for this week are: Bitch Planet #2, Jungle Book: Fall of The Wild #2, Robyn Hood #6, Wolverines #1-4, Gotham By Midnight #1-3 and Unity #13-14.
I skipped another FSCR last week, largely because I kind of felt… tired about the whole thing and just wasn’t in the mood I suppose. But, to make up, I’m definitely back in it for this week!
The picks for this week are: Ivar, Timewalker #1, Scarlet Spiders #3, Spider-Woman #3, Wonder Woman #38, Samurai Jack #16 and Star Trek/Planet Of The Apes #2.
Jack Campbell’s Lost Fleet series was a part of my 25-in-14 reading challenge where I attempted to, and succeeded in, reading at least the first novels in 25 different series, across a multitude of genres. Reading Dauntless proved to be quite a fun experience actually because I went in expecting some serious military SF, and the experience was much different to that expectation. It had some nice hard-SF elements to it, but they were sufficiently explained for a layman and the writer kept his focus on the characters and the story itself.
Fearless is the second novel in the series and carries on over from the events at the end of Dauntless with Captain John “Black Jack” Geary and his ragtag Alliance fleet scoring a resounding victory against the Syndics. It was definitely a great moment to end the novel on and Jack Campbell ups the stakes and everything else in the sequel. John has been fighting for unity and discipline and cooperation between the various ships of the fleet since he took over, massively disadvantaged in a lot of ways, and Fearless is just another major test for him as he continues to lead the fleet out of the Syndic Worlds and back home to the Alliance.
DC’s Supergirl experienced yet another creative team change about 2 months back, and thankfully, it has been a good change for once, with a team that is focused on empowering and developing the titular character without making her suffer through yet more angst and family issues that were so… roughly executed in the first three years of the rebooted title. Putting the character in a school-environment in outer space has done wonders for the character as far as I’m concerned, and that’s what I want to see more of, as this particular story is developed further.
The first 2 issues by the new creative team did a lot to flesh out the new phase of Supergirl, as the titular character met some new people, honed her abilities further, and learned more about the wider galaxy. At the same time, she has also had somewhat of a tough time fitting in, having had to contend against some natural biases among her fellow students at Crucible Academy, and that’s where this book really excels I think. Goes without saying that the art by Emanuela Lupacchino, Ray McCarthy, Hi-Fi, Rob Leigh and Tomeu Morey has also worked out really well with the new direction.