Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
Continuing on with the DCAU Spotlight feature is this review I did for the second Green Lantern animated movie, quite a different one in both tone and mood and content than the previous one, which was really good. I didn’t enjoy Emerald Knights as much as I wanted to, largely because the split narrative had bad pacing and some of the characters just weren’t as interesting as they could have been. But there were some really cool moments throughout, and that, I suppose could have been the point.
So here it is, another repost of an old review, from way back in 2011.
So this is another one of my early reviews. It was a part of a feature I ran called “DCAU Spotlight” in which I covered DC’s various animated direct-to-DVD features. The DCAU is a really fun place where a lot of different stories and characters have been covered. Its given us some really great movies, and some not so good ones. 2009’s Green Lantern: First Flight is one of the former, and is certainly one of my favourites from the last few years.
As always, its a rather short review, but I hope it is a convincing one, in that you are motivated to watch the film if you haven’t, or rewatch it if you have. I’ve always enjoyed watching it and it certainly never gets old or boring.
A few years there was this out-and-out space opera science fiction show called Firefly. It didn’t last long, only like half a season or something, but in the years since its untimely and abrupt cancellation, it has become one of the great cult classic television shows. Fan reaction to the show was so severe that Joss Whedon eventually came back to do a movie, Serenity, to tie off some of the loose ends that were left open. I saw all of it in my college years, and I remember that it was a really good show and movie. I certainly enjoyed both. So when Dark Horse announced last year that they were going to continue the story in a comics series, I was very ecstatic.
Written by Joss Whedon’s brother Zack Whedon, and drawn by Georges Jeanty, this issue is everything I could ask for, story-wise. It carries on from where Serenity left off and it lays some really good groundwork for what happened afterwards, since in the timeline, eight months have now passed since the truth about the Reavers was exposed in the movie. Art-wise though, I have my reservations, because most of the characters look nothing like how they are on the show/movie. I mean, I realize that there would be differences, but the differences here are on the order where I can’t even recognize them!
Once again, a very light reading week, with no graphic novel reading at all. I took a trip to India and back over the weekend, mostly because preparations for a cousin’s upcoming marriage and mom’s treatment, so reading time was extremely limited. I’m even behind on my novel reading at the moment, so I’m generally not doing well on that front at all.
Some really fun titles launched this past week, such as Night of the Living Deadpool, so it was an entertaining week at least, for the most part.
Last year, news arrived that Disney had bought Lucasfilm and that once the deal was done with, the company owned full rights and licenses to anything involved Star Wars, Indiana Jones and other properties that were under the purview of Lucasfilm. At the time, there was absolutely no news about future Star Wars movies, and the license for all related comics was with Dark Horse Comics, who’ve had that specific license under contract for almost two decades and have done their share of adding to the Expanded Universe over the years, building on what Marvel originally did. But then, as expected and dreaded, it was announced a few days ago that by the end of this year, the license would be shifted back to Marvel and that Dark Horse would no longer publish any new Star Wars materials.
Part of this entire move has been that within weeks of buying Lucasfilm, Disney announced plans to do a third Star Wars trilogy of movies, Episodes VII to IX, and even plans to do several spin-off movies, most notably involving the Bounty Hunter Boba Fett, one of the most iconic characters in the Star Wars setting. The big question now is how much of the Expanded Universe would Disney adhere to, and whether it would just chuck out all of it. Details are starting to emerge on this front and there has been a lot of talk about it recently. Here is what I have to say on the matter, as someone who has been invested in the setting since early 2001 and has really come to love everything about it, whether good or bad.
There have been a lot of big events in comics of late. Last year alone saw some really major events from the Big 2: Throne of Atlantis, Battle of the Atom, Trinity War, Infinity, Age of Ultron etc. And the new year is also heralding quite a few more from both of them. But, I have to say that in terms of uniqueness and freshness, nothing quite beats Valiant’s Unity series, which continues to surprise at every turn. Perhaps that’s because Valiant’s sandbox is pretty new. Perhaps that’s also because writer Matt Kindt is doing some of his best work here. Regardless, Unity is a series that I’m really enjoying.
The first two issues of the series were fairly good. My lack of familiarity with the characters has been an element that has hampered my enjoyment to some degree, but I won’t deny that both issues were some of the best issues I read last year. The third issue, released this week, builds on both of them and it provides a really great change in the status quo of things. Something that is unexpected. And the way that it ends, in the epilogue, well, big changes are in store it seems!
So welcome to the first Comics Picks of The Week for 2014 where I list the comics that were actually to be the first ones released in the new year. Everything that has been revealed so far about 2014 promises an amazing year, I have to say. Well, for the most part at least. There are some things that I don’t quite understand, or like, but eh, it is still going to be a great year I feel.
This past week, Marvel finally launched its All-New Marvel NOW! line with Black Widow, All-New X-Factor and Revolutionary War: Alpha and they aren’t going to stop. New releases will continue throughout March at the least and we will even be getting some of these new titles double-shipped, such as Black Widow #2 which comes out next week. In other news, I had some fun reading DC titles this week, although Detective Comics #27 proved to be quite disappointing for most of the first half. And my disappointment is on several levels, not just with one particular aspect of it. But, more on that in the reviews.
My first graphic novel of the year happened to be the (unfinished) mini-series that Steve Gerber and Matthew Sturges wrote a few years ago, with the former writing the tale of a new Doctor Fate while the latter wrote about the supervillain Eclipse. Only eight issues of this double-sized series were released, but I have to say that I definitely enjoyed it and based on that, my graphic novel reading is off to a good start.
The wind-up has now begun. In October IDW started this new tie-in series to this year’s Star Trek: Into Darkness and its been an interesting ride of sorts. The first two issues were quite decent and I kind of did enjoy them to a fair degree, but the third issue wasn’t so good. It was sort of expected I suppose, since this is an origin series, and there is a lot of ground for writer Mike Johnson to cover here. That was indeed one of the problems with issue #3 since it pretty much moved through the entire story at a very fast clip.
The new issue does thing slightly different. It tells a more focused story, for starters, but the art is still a bit off, largely in terms of how the characters are drawn, their faces particularly. This is the penultimate issue of this mini-series, since issue #5 next month is the end and we will, hopefully, get to the beginning of the movie itself and see how things were brought to that state with Khan, or rather, John Harrison as he was known in the first half of the movie.