Arthur C. Clarke’s 2001: A Space Odyssey is a novel that I will never forget. It has the distinction, for me, of being the first ever full-on space opera/science fiction novel that I ever read (I am not counting the young adult Animorphs novels). It was also the first novel I read at my new school in Dubai when we moved there in July 2001 (I read the book sometime late September 2001). To this day, I remember the book very fondly. It started off in an amazing place, and it ended with the most wondrous climax that I’d read to date, and that applies to all the hundreds of novels I’ve read since then.
There is something about nostalgia, and that first book. Frank Herbert’s Dune will always be an amazing masterpiece for me and a true space opera classic, but 2001: A Space Odyssey is a great companion at the top of that table. Clarke’s novel is the one that really set me on the path to reading the wider science fiction and fantasy genres, and that is why it will always have a special place in my heart. Just a few days ago, I re-read the novel for the first time ever since that first reading almost twelve and a half years ago. The sense of wonder and grandeur in the novel is just as compelling today as it was to an inexperienced reader all those years ago. A timeless classic.
Note: This novel is part of my 25 Series To Read In 2014 challenge.
Its been an interesting year for the movie industry, whether we talk Hollywood or Bollywood. Big tent-pole movies were the norm at the box office, and there were both successes and flops from each region. It can’t be denied either that some of the box offices successes have proved to be quite surprising, such as the runaway hits Frozen and The Hunger Games #2: Catching Fire, which continue to tell studio executives that female-led movies, especially action movies, CAN be successful if given a chance and that hiding behind ridiculous sexist attitudes and thinking just doesn’t cut it anymore.
Or let’s talk Guillermo Del Toro’s Pacific Rim which underperformed in the US but was a big hit in international markets and the reason for the former can no doubt be laid at the feet of the subversive trend in American media of trash-talking movies that are different.
But enough of that. This post, the first such that I’m doing, is meant to celebrate the movies that I thoroughly enjoyed this year, whether Hollywood or Bollywood, and that’s what I’m going to focus on here. So let’s have at it.