Agents of SHIELD is a show that has had a rather roller coaster ride since it debuted in 2013. It got off to a really shaky start and didn’t get better until well into the first season, around the same time that the phenomenal Captain America: The Winter Soldier movie came out. The first season ended on a good note, and then the second season last year beat most of my expectations with how good it was and how it introduced the Inhumans to the Marvel Cinematic Universe, which was an excellent move on the part of the showrunners.
And now, after Avengers: Age of Ultron, the Marvel Cinematic Universe has gotten more dangerous, because people with powers are being feared all over the globe, and because the misguided actions of Skye’s mother have released the Terrigen mist to spread all over Earth. New powered people are popping up everywhere, and it is up to SHIELD to keep them safe, and perhaps even put them in the field against those who would harm them. That’s the basis for the new third season of the show, which steps up the action and intrigue to a whole new level, and is the better for it.
DC’s Sensation Comics Featuring Wonder Woman got off to a really great start last year, but somewhere along the way, it kind of lost its momentum with some really odd stories that seemed to be shoehorned in, for no reason at all. And that’s kind of why I felt turned off from the experience of reading the comics, and even writing the reviews, because I didn’t want to review what I saw as less-than-expected. There were some good stories in the middle, sure, but mostly, it was all just rather boring.
Thankfully, issues #33 through #35 provide something of a revival in that respect. Some of the recent stories have been really good, and I think that it is this arc, Vendetta, that puts it all into perspective. Written by Josh Elder, this arc is all about a fateful encounter between Diana and Ares, set against the backdrop of a racial civil war in a war-torn African country. It feels simplistic at first, but it has a great message, and that’s the true value of it. The art by Jamal Igle, Juan Castro, Wendy Broome and Deron Bennett is also fairly decent, though it could use some improvements.
Since October last year, this has been coming, the end of one of the best shows on television in the last five years. Something that a lot of people hoped would be great, but doubted would actually get to that stage. But CW’s The Flash beat pretty much every expectation that fans had of it. It breezed by, changed the landscape, and maintained one hell of a consistency week after week. Sure, there were the occasional silly things such as the Bug-Eyed Bandit and what not, but by and large, and for me at least, The Flash was so much better of a show than Arrow, and I don’t say that lightly.
In episodes 21 through 23 (“Grodd Lives“, “Rogue Air“, and, “Fast Enough“), we see some of the most incredible moments of the show as yet. The first of those is pretty obvious. Gorilla Grodd was hinted at as being a villain on the show since the pilot and much of my fascination with the show was because of that expectation, which this episode met in a really great way and did justice to one of my favourite villains from the DC verse. The second switched things around a bit when Barry got Snart and his gang involved in his fight against Harrison Wells, with some truly tragic results, but which also solidified his moralities. And then, and then we have the finale from last night, which was beyond incredible. I had such huge expectations from the finale, and I certainly wasn’t disappointed. It was what fans needed and deserved after a season’s worth of trust and promise.
Note: This review contains some major spoilers for all three episodes, though I’ll try to keep things simple for the finale.
Last time we were with Kamala Khan aka the new Ms. Marvel, Loki crash-landed a prom party and she rightly schooled him for his scheming and planning, in addition to some great heroics in general. That’s one of the most endearing things about the title and the character because G. Willow Wilson has made Ms. Marvel into a very fun and relaxed title that occasionally deals with real world issues but never gets too heavy with the allusions so that you go and think “geez, not this again”. More than a year on since release, and Ms. Marvel is still one of the best titles on the shelves, and for good reason!
Taken together, issues #13 through #15 of Ms. Marvel are about Kamala exploring more of her Inhuman legacy and also learning more about herself and fighting against everyday challenges borne out of the patriarchal bias of society. G. Willow Wilson has taken a somewhat similar line before, using Kamala’s adventures as social commentary in one way or another, but she really hits it out of the park with these three issues, and the art by new-to-series Takeshi Miyazawa impresses as much as that of Adrian Alphona before, making for a very seamless transition.
The 2014-15 season has been pretty incredible for the DC universe. Not only did we have CW’s Arrow returning for a third season, but we also had The Flash on CW as well, alongwith projects like Gotham and Constantine on others. Not to mention some of the other stuff that is in the works, such as the recently announced Legends of Tomorrow, which is going to be the second spin-off show for Arrow (a truly awesome achievement by the way!), and the upcoming Supergirl.
Yes, Supergirl is coming to television for the 2015-16 season! And last night, CBS released a “First Look” trailer for the show, which appears to be basically a(n) (extended) teaser from the upcoming pilot episode. Can. Not. Wait!
As I’ve mentioned before, Geoff Johns’ Justice League found a new lease on life following the Forever Evil crossover and that it returned to its previous levels of awesome, especially with artists Jason Fabok and Brad Anderson coming on-scene to provide the other half of the team. The AMAZO virus storyline was definitely all kinds of awesome, and I really enjoyed getting back into such an involved and moving story after the (almost) dead beats of Forever Evil. But now it is time for something different yet again, and recent experience seems to hold up well in the new arc.
With the recent Justice League #40, Geoff Johns is kicking off yet another new phase in the title, this one titled “Darkseid War“. The issue itself is told through the viewpoint of the being known as Metron, a universal entity far above the ken of even such mighty beings as superheroes. The entire issue is pretty much his monologue, and we learn some startling things about the DC universe, as well as the true nature of the being known as the Anti-Monitor and how the ongoing Convergence event fits into the whole tapestry that Geoff and others at DC have been working on of late.
DC’s He-Man: The Eternity War has been kicking butt since it started. Spinning out of the He-Man and the Masters of the Universe series, this new book has really ramped up everything that was great about that series, and given it a new context, one that is grander and just generally more epic. While I loved the contributions from the early creative team on that series, the change of guard with Dan Abnett as writer made things so much better, and The Eternity War has pretty much delivered on everything that I could ask of it, month after month.
Issues #4 and #5 continue the tale of Hordak’s all-out invasion of Eternia as the big bad himself has come to the world now, intending on destroying his enemies in a final all-out conflict. He-Man and his sister She-Ra have done much to head him off, what with He-Man and She-Ra leading an army of Serpent Men against Hordak’s forces, even as the rest of the loyal Eternians do their own thing. But things are really heating up now, and even as one of He-Man’s oldest enemy returns, the future of the war to save Eternia is very, very uncertain, because if there’s one thing that defines this setting, it is the constant betrayal and deception that is employed by the villains.
CW’s debut superhero spinoff show has been going all-out of late. While things have been heating up with regards to the overall mystery of Dr. Harrison Wells and the Reverse-Flash, the various characters’ lives have also been affected a great deal. Some characters have come out of it positively, while others haven’t. But that’s fine I suppose since the cast of the show is so big. And through all of it, there’s always that strong sense of optimism that the good guys, even while the villain of the show carries out his inside-man job.
Last week’s “Who is Harrison Wells?” and this week’s “The Trap” showcase really well how things are changing on the show. For the good guys, Harrison Wells’ secret is out in the open, they just have to find some solid proof of all the criminal things he has done so that the biggest mystery of the show can be finally solved as far as the CCPD is concerned: did Barry’s father really kill his mother? That has certainly been the driving force for Barry since that fateful night, and we are finally getting some major revelations, with these two episodes leading the way as The Flash
‘s debut season moves into its final stretch with just three more episodes to go.
Since it premiered back in 2012, Arrow has not been a show to ignore the dark corners of the superhero psyche. Again and again we have seen some really horrible things happen on the show, whether it is torture or mutilation or what have you and betrayal of the self and betrayal of the family is something that has been a running theme on the show. Season 3 itself got off to a really grim tone last year, and recent episodes have shown that this theme isn’t going anywhere and that the times are indeed wholly dark for Team Arrow.
Episodes 18-20 of the show have been very interesting from a story perspective. Oliver’s secret is once again out in the open as Ra’s al Ghul intensifies his… pressure on Oliver to become the next Demon’s Head, and with this come some true heroics from the team. And not only that but we also get to see Ray Palmer become a hero himself, as he begins to embrace the difference he can make alongside Team Arrow and even perhaps as a part of it. But that is all overshadowed by what is happening in the flashbacks, where Oliver and the Yamashiros’ freedom has become anything but.
Two episodes back The Flash finally addressed the question of whether Barry would get to time travel or not when he accidentally went back in time for about a day, and then ended up repeating that day (to a degree). The writers also did well in addressing the notion of what happens when you time travel, how you do it, and what the consequences can be. Of course, the time travel was important in more ways than one since in the “repeat” events unfolded in a manner conducive to Dr. Wells not killing Cisco, so that was a thumbs-up in my eyes. Some of the other things though, well, they really didn’t sit well with me.
And the two most recent episodes, “Tricksters” and “All Star Team Up” haven’t really done much to address those issues. If anything, things have kind of gotten worse, at least as far as Iris and her relationship with everyone is concerned. In last week’s episode we saw the amazing Mark Hamill return to the franchise as the Trickster, though now aged and past his prime when the CCPD gets him to consult on a case that ties into his legacy. Suffice to say, it was an explosive episode in the way that only an episode with the Trickster can be. And in this week’s episode, we saw yet another crossover with Arrow when Ray Palmer and Felicity arrive in Central City to consult with the STAR Labs team on Ray’s suit, and all sorts of hilarious shenanigans follow, including one of the most… well, weird villains the show has had to date.
In recent weeks, CW’s Arrow has taken a somewhat darker turn, and it all has to do with how the metaplot concerning the League of Assassins has developed and the large shadow that the season villain, Ra’s al Ghul, has begun to cast on the characters. He is a downright manipulative bastard and since Oliver has refused to take up his offer of becoming the next Ra’s al Ghul, the current incumbent has seen fit to take it upon himself to make sure that Oliver does what he wants, no matter who has to die for that, criminals or innocents or both.
Last week’s “Suicidal Tendencies“, while it involved the Suicide Squad for much of the episode’s running length, was pivotal in what it made Oliver confront when it came to the League. Maseo is wholly sworn over to the League and he is now on a mission to destroy the Arrow’s reputation in Starling, on orders of Ra’s al Ghul. And this creates problems, not the least of which is Ray confronting the Arrow while decked out in his brand-new ATOM suit. And on the other side of the world in Kaznia, the Suicide Squad team does a few really unexpected things, things that really made me love the likes of Deadshot and Cupid. Oh and there was a wedding involved, which was kind of fun amongst the darkness.
The Flash last week ended on a pretty exciting note: Barry doing some real time travel finally, amid a whole host of other complications for the scarlet speedster that leave him in some of the most complicated situations of his life as a superhero. With all that happened in last week’s episode, what I wanted out of the episode this week was to go big and go explosive because it is a pretty big freaking moment for everyone involved on the show, and the trip getting there was certainly one to talk about and go home to.
In this week’s episode, “Rogue Time“, we have the consequences of Barry time-traveling as he did. Like I said, it was a pretty big moment, with him going back in time almost an entire day, and this episode lays out just what that is going to cost him in the long run. For one, though Cisco doesn’t die in the “new” day, and Barry is able to ensure that Mark Mardon is caught well in time, the Rogues are back in town and they make life hell for Barry. And all the complications of time travel mean that it is not just Barry’s superhero life that is affected, but also is his personal life, especially his relationships to two other characters.
Note: This review contains some major spoilers about this episode.