Spinning out of the recent Infinity crossover event is Inhumans, which was originally supposed to be written by Matt Fraction but will now be written by Charles Soule. Consequently there has been a delay in the series being released, and in the wake of that there has been some rejuggling of issues. Most notably this past week’s Inhumanity #2 which was originally solicited as Inhumanity: Medusa #1, a one-shot. I liked Fraction and Coipel’s Inhumanity #1 well enough. It was a really interesting story, the art was good, and I had fun. I’d wondered if there’d be a follow-up, and now it is here.
Knowing next to nothing about the Inhumans, aside from what I read in Infinity and Inhumanity #1, I felt distinctly lost in several places here because there are callbacks to characters I have no knowledge of, and this issue pretty much gets into things from the get go. It also doesn’t help that there are two pencillers on this issue with no less than four inkers in all and two colourists as well. So the issue is a hotchpotch in terms of the art. I liked the story, but it was also disappointing at the same time.
In 2012 and, by extension, 2013 we had the greatest surprise in comics in recent years. Or so I believe. Doctor Otto Octavious essentially killed Peter Parker and transferred his consciousness to his body. Now, for more than a year, the “new” Peter Parker has been the Superior Spider-Man, marking a new age in comics where a villain became a hero in an attempt to genuinely do some good. I’ve certainly never read a story like this. Dan Slott and Ryan Stegman’s Superior Spider-Man Volume 1 proved to be an eye-opener in many ways for me, and through all his appearances in other comics, I’ve definitely come to enjoy Superior Spider-Man.
With Marvel’s latest event, Inhumanity, things are gearing up for the launch of the event’s premier series Inhumans in April and in the lead-up we are getting several titles each month which lay down the groundwork. Inhumanity: Superior Spider-Man #1 is one such title that, while it has only a passing connection to the event for now, helps to flesh out the ordinary lives of New Yorkers as they deal with the fallout of the Infinity event and the Terrigen Mists causing widespread mutations all over the world. One of my favourite writers by far, Christos Gage tells a really personal story in this issue and he is assisted most handsomely by Stephanie Hans who turns out one of the most gorgeous comics I’ve seen in a long time.