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The Movement #8 (Comics Review)
Doing superhero books differently is not an easy task, as I’ve come to see from the perspective of a reader. Specifically, superhero team books. Managing the personalities and attitudes and backstories and story arcs for a multitude of characters all at the same time can work if you’re really good as a writer and if you have good art to back you up. The flip side, well that happens surprisingly often sadly. DC has had a good time in the New 52 with team books, the exception being the rather dreadful Teen Titans but earlier this year it launched a new series, the teen-oriented The Movement.
In its first arc, which ends with the latest issue released this week, the heroes of The Movement have gone up against a lot of things: corrupt cops, corrupt businessmen and mercenaries who follow the money. But in the midst of it all, Gail Simone and Freddie Williams have given us some truly great things too, and they all make this series feel really special. Issue #8 is the capstone to that entire thing as most of the major plotlines are resolved while some are kept around for later and some new ones are introduced too. All that said, The Movement #8 is definitely one of the best issues of the series yet.
The Movement #7 (Comics Review)
In the New 52, DC has tried to take a lot of gambles and few of them have paid off, if at all. Launched earlier this year, Gail Simone’s The Movement is one of those gambles and for me, it is one that has definitely worked enough to keep bringing me back every month and caring about the characters. Gail and artist Freddie Williams have done some great work on the series for its first arc and their second arc continues apace with the release of the seventh issue this week, which does one thing that the first arc was, of necessity, missing: consequences.
In any superhero story, there are always consequences for the powers that a hero has. And given that these stories are written to get us to identify with, associate with, and get invested in these characters, there need to be consequences for their actions and their nature. This is at the core of this new issue and once again the execution is pretty brilliant. For me, The Movement has been DC’s break-out hit of the year and there’s no stopping this train ride.
Comics Picks of The Week 06.11.2013
Zero Year has finally kicked off for the non-Batman titles for DC and its been pretty good so far. Lots of interesting stories to say the least and this coming week promises to be even better with Batman #25 and Batgirl #25 hitting the stands as well, so good times to be had. Didn’t read too much outside of DC this time around, which is fine with me since I like my superheroes a particular way and other comics don’t interest me all that much really.
Read another graphic novel this week, mostly to catch up with a series I’m following right now, so that’s a bonus for the most part. I’d say I have a good thing going here if I can scrape in a graphic novel a week. Could be more, depending on certain things, but I’m fine I suppose.
In the meantime, here’s another edition of this new feature. Full reading list, as always, is available here and all my comics reviews are available here.
The Movement #6 by Gail Simone (Comics Review)
Writing a comic that is aware of its socio-political nature, and working that into the script itself, can be a daunting task. There are a few books that have attempted to do that over the years, but none with as obvious a message or delivery as Gail Simone’s The Movement from DC Comics. It is a modern-day comic that creates a very believable modern aesthetic, and it explores “superheroes” who take over from the social services that are supposed to protect the people.
In the five issues thus far, Gail and artist Freddie Williams have given us a really wonderful look at their setting, and they’ve populated it with some really interesting characters. There are distinct superhero-team vibes in the comic, which is really interesting considering what kind of a comic this really is. And no superhero team book is complete without some internal disagreement, and that’s what Gail explores in this issue.
Comics Picks of The Week 02.10.2013
This week was filled with reading a lot more than just the regular DC books. I read a fair amount of Marvel stuff this time, and also other titles from other publishers, particularly Vertigo, which is a DC imprint. A lot of these comics were really good, some not so much, and that’s pretty much normal really. Never a full week of solid comics. An impossibility I think.
I wasn’t able to get around to reading any graphic novels this time around, sadly, mostly because I was caught up reading a really big fat military space opera novel. It was written by a favourite author so that helped get over that a little bit but the book still took too much time. Not to mention that I was generally short on time so had to make do with reading single issues.
Perhaps this week I can get a couple graphic novels down!
In the meantime, here’s another edition of this new feature. Full reading list, as always, is available here and all my comics reviews are available here.
The Movement #5 by Gail Simone (Comics Review)
So here we are. Another month, another issue of The Movement. The interruption of Villain’s Month really threw a spanner in the works, since The Movement is very much a fringe title in the DC Universe and doesn’t really have any relation to the wider setting, even though it does have superheroes in it. And that’s kind of what I love about it, that it is set in its own small corner of the DC-verse and that it is able to stand on its own, and that it definitely doesn’t go down into any of the crossover mania that is dominant with the Big 2 right now.
Up until now, Gail Simone and Freddie Williams have delivered on a really great series, across four issues, and they’ve only gotten better with each issue. With the new one, things take a slight dip, mostly to do with the art, but The Movement is still one of the best books that DC is putting out, for precisely the reason that it is a standalone series and that it deals with completely different concepts than any of DC’s other titles.