Its been an interesting year for the movie industry, whether we talk Hollywood or Bollywood. Big tent-pole movies were the norm at the box office, and there were both successes and flops from each region. It can’t be denied either that some of the box offices successes have proved to be quite surprising, such as the runaway hits Frozen and The Hunger Games #2: Catching Fire, which continue to tell studio executives that female-led movies, especially action movies, CAN be successful if given a chance and that hiding behind ridiculous sexist attitudes and thinking just doesn’t cut it anymore.
Or let’s talk Guillermo Del Toro’s Pacific Rim which underperformed in the US but was a big hit in international markets and the reason for the former can no doubt be laid at the feet of the subversive trend in American media of trash-talking movies that are different.
But enough of that. This post, the first such that I’m doing, is meant to celebrate the movies that I thoroughly enjoyed this year, whether Hollywood or Bollywood, and that’s what I’m going to focus on here. So let’s have at it.
Over at her blog, Helen Lowe has had an interesting discussion taking place of late on the topic of what makes epic fantasy what it is. Its been quite an informative discussion to say the least (more). The descriptions and definitions that people attach to this seemingly simple 2-word phrase have provided a lot of new perspectives, many of which I have never considered before.
And that made me think about how I define “epic fantasy”. What are the components of it? What are the essentials? Like with any other discussion about the definition of genre categories, there are no easy answers here either and that has a lot to do with personal biases and preferences. I’ve seen a lot of books come out in the last few years that have been hailed as epic fantasy but that I wouldn’t necessarily classify as such, since for me there are some basic requirements for a book to be hailed with that genre label.
Which is what this post is about.