This week was filled with reading a lot more than just the regular DC books. I read a fair amount of Marvel stuff this time, and also other titles from other publishers, particularly Vertigo, which is a DC imprint. A lot of these comics were really good, some not so much, and that’s pretty much normal really. Never a full week of solid comics. An impossibility I think.
I wasn’t able to get around to reading any graphic novels this time around, sadly, mostly because I was caught up reading a really big fat military space opera novel. It was written by a favourite author so that helped get over that a little bit but the book still took too much time. Not to mention that I was generally short on time so had to make do with reading single issues.
Perhaps this week I can get a couple graphic novels down!
So here we are. Another month, another issue of The Movement. The interruption of Villain’s Month really threw a spanner in the works, since The Movement is very much a fringe title in the DC Universe and doesn’t really have any relation to the wider setting, even though it does have superheroes in it. And that’s kind of what I love about it, that it is set in its own small corner of the DC-verse and that it is able to stand on its own, and that it definitely doesn’t go down into any of the crossover mania that is dominant with the Big 2 right now.
Up until now, Gail Simone and Freddie Williams have delivered on a really great series, across four issues, and they’ve only gotten better with each issue. With the new one, things take a slight dip, mostly to do with the art, but The Movement is still one of the best books that DC is putting out, for precisely the reason that it is a standalone series and that it deals with completely different concepts than any of DC’s other titles.
So, I just finished reading the new issue of Batgirl by Gail Simone. For the fourth time. I’ve never done that before, ever. There hasn’t been a comic yet that has gotten to me like this one has. Through all the ups and down this title has seen since launch, I’ve stuck with it. Well, technically, I only started reading sometime in August last year, or thereabouts, so I haven’t been reading long, but I’ve stuck with each issue. Gail Simone is one of my favourite writers in the industry right now and a big reason for that is this book.
As someone who was never interested in the character before, much like with Aquaman, Gail got me invested in the character. She got me to vividly experience all the ups and down that Barbara Gordon, formerly Oracle and wheelchair-bound, experienced in the New 52. And with this issue, she’s hit everything home in the worst way possible. And I mean that in a good way.
Note: spoilers for the previous story arcs now follow, so best be aware of that.
I’ve mentioned before that one of the main attractions I have for Gail Simone’s The Movement is that it is well-off the oft-trodden path that superhero comics generally take. They are loud and grand and often quite fantastical. In an almost complete about-face, Gail’s new series for DC is something much more personal, much more relevant. This is a series that deals with vigilantism and corruption with a superhero flavour. It posits a situation where the people rise up en masse to protest against those in power, those are abusing and corrupting the system for their own gains, and showing them where the true power is.
The first issue of the series was a great opener. The second and third issues set a high bar. And now, the fourth issue has raised the stakes once again. The Movement is a series that seems to be getting better with each issue.