Remember the golden year of 2005 when Relic Entertainment unleashed the phenomenon that was Dawn of War? I do! As a fan of the comics and novels for several years, Dawn of War was the perfect game for me for a number of reasons: I love RTS games, I love Warhammer 40,000, and their love-child was definitely going to be great. That was my working theory when I started playing Dawn of War and I was floored. Everything about the game, whether cutscenes or story or mechanics or gameplay or design or whatever, it was all top-notch. One of the most cathartic gaming experiences of my life. The games that followed, especially Dawn of War II: Dark Crusade just improved on that and I couldn’t be happier really. If there was any sore spot at all however, the tie-in novels from writer C. S. Goto were the anomaly. Tortorous and convoluted stories that seemed to do strange things with the lore, they are among the most unpopular of novels published by Black Library to date. But that’s all going to change, and here’s why.
Exactly five months to the day, Relic Entertainment announced that it was working on Dawn of War III and released the above trailer to the masses, causing a storm in the video game circles everywhere. The previous games are regarded highly, are considered among the best of their genre, and are tied to a fairly well-liked setting. And just in the last couple days we have received some more news about the game, namely that Black Library has hired author Robbie MacNiven to write the tie-in novel, and that Titan Comics will be doing the same for the comics medium. Cue more excitement and gushing and fangasming. Check after the break for the official announcements.
More than any other author at Black Library presently, it seems that David Annandale is by far one of the busiest of the lot, if his output in the last couple years or so is any indication. Multiple short stories, a novel, multiple novellas. And his work has been seen digital-to-print republication. For me, he has certainly emerged as one of the best of the bunch, owing in part to his technical writing and his characters and plots of course. It also helps that in much of his work he has chosen to write about factions and characters that usually don’t see the light of day otherwise, much.
About ten days back or so I mentioned in my review of Forge Master that it was part of a trilogy of novellas about the Overfiend of Octavius, an Ork Warlord who controls one of the biggest Ork empires in the galaxy. Where Forge Master was the capstone to that trilogy, Shadow Captain is the middle narrative and is told from the perspective of the Raven Guard rather than the Salamanders. And the events in this novella take place just before the events of Forge Master. Just as with it successor, Shadow Captain proved to be a most entertaining read, and it shined the light on another of my most favourite Space Marine chapters.
In the last two years, Black Library has gone all-out with its range of novellas, whether we talk about the Horus Heresy series or the more “contemporary” Warhammer 40,000 setting. In fact, I’d say that there are too many novellas being released, at the expense of new novels, and I stand by that statement, looking at their released schedule for the last few months. But then, there are novellas like Promethean Sun, Iron Warrior and Knights of the Imperium Master which make it all really worth it. And when the publisher goes for a combo of novellas/novels, that’s when I really sit up and pay attention.
Forge Master is part of a trilogy of novellas about the Imperium’s campaign against the Overfiend of Octavius, the Warlord of one of the greatest and most powerful Ork empires in the galaxy. Told from the perspective of different Space Marine chapters, each novella covers a different part of the campaign, in this case, the Salamanders. The novella covers a small strike team of the Salamanders as they board an Ork flagship looking for a prisoner and David Annandale’s writing here is some of the best I’ve seen from him. In fact, it may be his best work that I’ve read to date.
I’ve been a fan of Black Library for a long time, going on about 11 years now, roughly. It all started with a copy of William King’s third Space Wolf novel, Grey Hunter, and was soon continued on with the first six novels in Dan Abnett’s Gaunt’s Ghosts series. Since then, I’ve read a lot of the novels, and the short stories, and the anthologies, in all the different formats that have been put out. I took a long break in the middle, around late 2008 however, and didn’t get back into the swing of things until later 2010, by when there had been some big changes to everything, new series, new authors, new formats even (the Hammer and Bolter eZine). It was an exciting time
Right up until late 2012 that is. For someone just getting back into BL fiction, those two years were well-spent, catching up on a lot of the stuff that had been put out in the intervening years, and during that period. I repeated often last year and the year before that, that BL was enjoying very much a golden year since the Horus Heresy series continued to gain more recognition, with each book going on the New York Times Bestsellers List, with lots of new authors coming in, some truly amazing artwork from a whole new generation of artists and so on and so forth. BL had even embraced digital publishing wholeheartedly and were making some great inroads.
But then, they started dropping the ball with their marketing. Curious, inexplicable decisions were being made. And a lot of it was coming together at the same time. And it baffled me. Still does. Which is why I’m writing this post at this time, and not before. Because by now I’ve seen a lot of the fall-out from all the decisions that they’ve made in the last year or so.
So read on, and enjoy. And if not, I welcome any opinion that differs from mine. Also, authors are welcome. Any time. You can find all previous Publishing and Marketing posts here.