In the last ten years or so, there has been a notable shift in the genre of American television series that are being put out. Following on from the terrible events of 9/11, many networks have greenlighted spy shows focused not on traditional spy antics, but on counter-terrorism and domestic terrorism. Covert Affairs, Burn Notice, Chuck, Nikita, 24, Quantico, State of Affairs, The Blacklist, and many others. Strangely enough, many of these also star female characters, which is an interesting change from the previous era of James Bond styled shows with male characters. Focusing on one of the many intelligence agencies of the American intelligence network, these shows follow the lives of intelligence officers and experts as they head off one threat after another.
One of these shows is Homeland, starring Claire Danes and Damian Lewis, which premiered on Showtime on October 2, 2011 just a little over five years ago and has recently announced its sixth season, which will begin next month. I recently started watching the show, and I’ve been very impressed with it, which is probably why I binge-watched the first season in a mere three days. Danes, Lewis and the rest of the cast and crew have turned in a fantastic political spy thriller with some extremely nuanced and conflicted characters.
Note: Spoilers from the first season will be mentioned so proceed at your own risk. Read the rest of this entry
The world of superhero television has been quite a abuzz this year. Whether it is the topic of the new DC Television shows like Supergirl and Legends of Tomorrow or Arrow and Agents of SHIELD coming back for yet more after seeing some record success, or even the release of the Netflix Marvel shows, 2015 has been pretty damn incredible so far. And it only keeps getting better. Earlier this year we had the first of the new Defenders franchise, Daredevil, which did an incredible job of bringing the blind lawyer and superhero Matt Murdoch to television. Successful enough that it was almost immediately renewed for a second season, which only seems to be getting better with each new piece of information coming out about the show’s production.
But of course, one of the things that Daredevil was meant to do was pave the way for Jessica Jones, the second show in the series of 4 that will eventually lead to a Defenders show. Starring the likes of Krysten Ritter, David Tennant, Mike Colter and Rachael Taylor, Jessica Jones has had a great first season, and I must say that I was pleasantly surprised by the show. Sure, it had some hits and misses like most debut shows (especially the superhero variety), but it also did some really mind-boggling things that you wouldn’t have expected. And the stars, and the writing and everything else all fit together into a really neat package that is worth going back for a rewatch.
Let’s not mince any words here. Ever since the show’s pilot got leaked online a few months back, I’ve been pretty damn excited for this. The trailers were promising, though a bit weird, but I had faith in the show and what it promised to deliver, and the leaked pilot did set me up on the positivity train. Well now, now we are in the second week of the show, and all those months of waiting has definitely been worth it. From the people who’ve brought us so many comic-book properties on television in recent years, Supergirl is a great addition to the line-up.
I reviewed the leaked pilot back in May, which you can read here, and it was a pretty good experience for me. As I said in that article, I found the actual pilot to be much better than the trailer let on, and it made me fall in love with Melissa Benoist’s portrayal of the Maid of Might all over again. Supergirl is one of my favourite DC superheroes, and it is great to see such a perfect portrayal here, which easily matches what Grant Gustin has been doing for close to two years now as The Flash. The supporting cast is also working fairly well together, and though there are a few kinks here and there in terms of story and general character-writing, this show has started off great.
Last year DC/WB announced that Supergirl aka Kara Zor-El would finally be making her way back to live-screen this year, with the character getting an ongoing show on CBS, which is part-owned by CW, the network that airs the hit-and-successful superhero shows The Flash and Arrow with a joint spin-off Legends of Tomorrow launching later this year as well. As a huge fan of the unfairly maligned Supergirl movie with Helen Slater, this was great news for me, especially since I love the character, and because the current creative team on the Supergirl comics is also just totally rocking it right now.
Through all the casting information and plot details that were revealed about Supergirl, it came across as a decent addition to the DC/WB television DC universe, and I was certainly excited by the prospect. And then just a few days ago we had what was an awesome 6-min trailer that introduced Melissa Benoist as Kara Danvers aka Kara Zor-El aka Supergirl. The trailer had some flaws, but it was promising, and I couldn’t wait to see more. Which I did last night since the pilot episode got “leaked” onto the internet everywhere, and I saw for myself just how good this show was really going to be, and that the trailer didn’t do the show enough justice.
The 2014-15 season has been pretty incredible for the DC universe. Not only did we have CW’s Arrow returning for a third season, but we also had The Flash on CW as well, alongwith projects like Gotham and Constantine on others. Not to mention some of the other stuff that is in the works, such as the recently announced Legends of Tomorrow, which is going to be the second spin-off show for Arrow (a truly awesome achievement by the way!), and the upcoming Supergirl.
Yes, Supergirl is coming to television for the 2015-16 season! And last night, CBS released a “First Look” trailer for the show, which appears to be basically a(n) (extended) teaser from the upcoming pilot episode. Can. Not. Wait!
Since it premiered back in 2012, Arrow has not been a show to ignore the dark corners of the superhero psyche. Again and again we have seen some really horrible things happen on the show, whether it is torture or mutilation or what have you and betrayal of the self and betrayal of the family is something that has been a running theme on the show. Season 3 itself got off to a really grim tone last year, and recent episodes have shown that this theme isn’t going anywhere and that the times are indeed wholly dark for Team Arrow.
Episodes 18-20 of the show have been very interesting from a story perspective. Oliver’s secret is once again out in the open as Ra’s al Ghul intensifies his… pressure on Oliver to become the next Demon’s Head, and with this come some true heroics from the team. And not only that but we also get to see Ray Palmer become a hero himself, as he begins to embrace the difference he can make alongside Team Arrow and even perhaps as a part of it. But that is all overshadowed by what is happening in the flashbacks, where Oliver and the Yamashiros’ freedom has become anything but.
In recent weeks, CW’s Arrow has taken a somewhat darker turn, and it all has to do with how the metaplot concerning the League of Assassins has developed and the large shadow that the season villain, Ra’s al Ghul, has begun to cast on the characters. He is a downright manipulative bastard and since Oliver has refused to take up his offer of becoming the next Ra’s al Ghul, the current incumbent has seen fit to take it upon himself to make sure that Oliver does what he wants, no matter who has to die for that, criminals or innocents or both.
Last week’s “Suicidal Tendencies“, while it involved the Suicide Squad for much of the episode’s running length, was pivotal in what it made Oliver confront when it came to the League. Maseo is wholly sworn over to the League and he is now on a mission to destroy the Arrow’s reputation in Starling, on orders of Ra’s al Ghul. And this creates problems, not the least of which is Ray confronting the Arrow while decked out in his brand-new ATOM suit. And on the other side of the world in Kaznia, the Suicide Squad team does a few really unexpected things, things that really made me love the likes of Deadshot and Cupid. Oh and there was a wedding involved, which was kind of fun amongst the darkness.
When CW’s Arrow went on break back in February, the final minutes of the 15th episode of the 3rd season provided us with one of the biggest twists to date on the show: Ra’s al Ghul, the Demon’s Head and leader of the League of Assassins, wanted to make Oliver Queen his successor, the next Ra’s al Ghul. Whoa! Whoa! Whoa! Hold your horses there! What!? Yep, pretty damn big twist and something that needed a lot of clarification from a story perspective. Which is where the returning episode from last week, “The Offer“, came in.
The episode last week laid out exactly why Ra’s al Ghul chose Oliver as his successor instead of his own daughter, Nyssa al Ghul, who has been quite the force on the show ever since her debut in the middle of the second season. In a war of dual identities where much of the good he has done has been twisted and rendered ineffective, Oliver seriously considers the offer, and the journey to get to that point speaks volumes about how he and his friends and allies have developed over the last three years, and the long road that lies ahead of them all.
I remember back in the first season of Arrow, there were a ton of breaks in the show. It was as if we couldn’t go a straight month without one break in-between episodes or something. It was quite frustrating for someone like me, who hadn’t really watched shows “live” before, binge-watching entire seasons being more my thing, and so it was one of the few things I didn’t like about Arrow. But I’ll admit that when an episode leading up to a break is as awesome as the mid-season finale back in December, or this week’s episode, “Nanda Parbat“, then things are very different.
“Nanda Parbat” this week is one of the most intense episodes of the third season yet, and also one of the best to date. Last week Thea found out that Malcolm had used her in his war against the League of Assassins, making her commit Sara’s murder. It was an emotional moment for everyone involved and the new episode picks from that point, affecting everyone once again. Thea makes a dangerous choice and then it is up to Oliver and Diggle to figure out a way out of this jam, while Felicity and Ray continue working away at his ATOM suit, which we finally saw in full!
Marvel’s Agent Carter has been building up to a climactic finish for a couple weeks now, introducing some really great twists in order to flesh out the story of how the ignored Peggy Carter became one of the SSR’s top agents and how the SSR eventually transforms into SHIELD. For me, last week’s episode “Snafu” managed to deliver some really big moments, and promised a hell of a lot for this week’s season one finale, at just a measly eight episodes, so going in to it, my expectations were pretty huge.
And having watched the episode yesterday, and having had more than 24 hours to mull it over, I’m still not sure whether I liked the finale or was disappointed with it. Both of them maybe? In many ways, the climactic finish was just that, climactic. But in many other ways, it was disappointing because there was essentially a story reset and things kinda went back to normal and some of the characters did some really stupid things. Some decent action, some decent revelations about the characters, but ultimately, kind of forgettable I suppose.
Last week, Fox’s Sleepy Hollow did something rather daring that I didn’t expect, twice. Not only was Henry killed off in the penultimate episode of the second season, but we also had Katrina travel back in the past to change history because of the circumstances of Henry’s death. What should have been a really emotional episode was perhaps less so, but I think the daring aspect of it kept me hooked. And it did have a sense of impending finality to it, so in retrospect it was kind of clear the route that the writers might take, but it was still pretty surprising.
This week’s episode “Tempus Fugit“, the second season finale, shows what Katrina hopes to achieve in the past, what particular outcome she wants to change so that she can have a life with Jeremy (Henry) that she’s always wanted and the lack of which turned him to his dark past. In terms of action, the episode definitely packs a big punch, but in terms of character development, it isn’t anywhere as impressive, and a particular decision of the writers in the final few minutes definitely did not work for me either.
With Brick out of the picture, and Oliver back from Nanda Parbat or wherever it was that he “fell” while fighting against Ra’s al Ghul in a duel, it was time for the show to move on to grander things yet, such as Team Arrow dealing with their central element being back in the picture, and Oliver learning how much the city and his friends have changed in his absence. And at the same time, we also got to see some really nifty stuff elsewhere as Oliver finally comes clean with Thea about his… extracurriculars, which in itself was handled maturely by the writers of the episode.
In this week’s episode, “The Return“, we have Thea and Oliver on Lian Yu, training to fight against the League of Assassins. Malcolm wants Oliver to regain his killer instinct, the one he displayed when the two of them had their big showdown in the season one finale and which Oliver did not have during the season two finale against Slade Wilson, and so the Dark Archer puts into effect a really dangerous plan that just might see both Thea and Oliver dead. With the return of the awesome Manu Bennett as Slade, this episode would have been great on its own, but we also get to see Oliver and Maseo come to Starling in the flashbacks, and those sequences expose something deep-rooted with the show.