Last year, I blogged over at The Founding Fields about 25 book series from various genres, science fiction, fantasy, urban fantasy, space opera, etc that I wanted to read in 2013. The intention behind that particular reading challenge was to read a broad variety of some of the most popular names in those genres as well as to try out several new authors and revisit some favourite classics. While I wasn’t as successful in the challenge as I might like, I’ve made it a new year resolution to make sure that I do indeed repeat the challenge in 2014 with new books, new authors, and finish it this time.
To that effect, here are the 25 book series I’ve picked for this reading challenge for this year. You can see the previous list for 2013 here.
Two weeks ago I did the first of these kind of posts, which can be found here. There were some really fun-looking books on that list that I would love to read (all of them) this year, but given how these kind of things work out for me, especially of late, that is probably not going to happen any time soon. My only consolation is that these covers are so bloody damn good!
Hope you liked the previous post and that you’ll like this one as well.
About 2 weeks ago, I asked readers if they would be interested in some sort of a semi-regular column on the blog, the core topic being publishing & marketing. The response on the blog itself was rather lukewarm, to be honest, but I did have some good, albeit short, conversations with people over Twitter and Facebook about this.
The whole idea for the column sprung out of the “disaster” earlier this month when it was revealed that Random House’ eBook-only imprint, Hydra, was contracting new authors on the conditions that there would be no advance payments (which disqualifies the imprint from being considered a publishable market according to the rules, regulations and guidelines of the Science Fiction Writers of America’s organisation), and that they wanted complete rights over the work in question, irrespective of medium/format. Their payment structure was also dubious, frontloading almost all the costs of publishing the author’s work on the author himself/herself. Such costs include editing, covers, marketing, and so on, from what I understand. John Scalzi has done two in-depth posts on the subject here and here.
Given the amount of information out there already on this particular subject, the furor over which has caused Hydra to revise some of its terms and offer authors better payment plans after a VERY stern letter from the SFWA, I am not going to cover this for now. All I can say is that if you are looking to get published by such eBook-only imprints, and I stress eBook-only, then you damn well make sure that you do not sign away your rights for foreign translations, audiobooks, print, and so on. Other people have already said it best: make sure to get some legal opinion and at least ask around when you get that contract. Make sure that you are informed about what you should and should not be doing.
Anyhow. Moving on.
For this first installment in this column series, I wanted to talk about publisher communication. Communication is a funny thing. We all define it quite differently and it means different things for different people. The specific area I want to cover today is how publisher communication works with marketing in the context of keeping readers and reviewers (they need not be mutually exclusive) informed and keeping a positive dialogue open. So here we go! Read the rest of this entry