I remember back in the first season of Arrow, there were a ton of breaks in the show. It was as if we couldn’t go a straight month without one break in-between episodes or something. It was quite frustrating for someone like me, who hadn’t really watched shows “live” before, binge-watching entire seasons being more my thing, and so it was one of the few things I didn’t like about Arrow. But I’ll admit that when an episode leading up to a break is as awesome as the mid-season finale back in December, or this week’s episode, “Nanda Parbat“, then things are very different.
“Nanda Parbat” this week is one of the most intense episodes of the third season yet, and also one of the best to date. Last week Thea found out that Malcolm had used her in his war against the League of Assassins, making her commit Sara’s murder. It was an emotional moment for everyone involved and the new episode picks from that point, affecting everyone once again. Thea makes a dangerous choice and then it is up to Oliver and Diggle to figure out a way out of this jam, while Felicity and Ray continue working away at his ATOM suit, which we finally saw in full!
Marvel’s Agent Carter has been building up to a climactic finish for a couple weeks now, introducing some really great twists in order to flesh out the story of how the ignored Peggy Carter became one of the SSR’s top agents and how the SSR eventually transforms into SHIELD. For me, last week’s episode “Snafu” managed to deliver some really big moments, and promised a hell of a lot for this week’s season one finale, at just a measly eight episodes, so going in to it, my expectations were pretty huge.
And having watched the episode yesterday, and having had more than 24 hours to mull it over, I’m still not sure whether I liked the finale or was disappointed with it. Both of them maybe? In many ways, the climactic finish was just that, climactic. But in many other ways, it was disappointing because there was essentially a story reset and things kinda went back to normal and some of the characters did some really stupid things. Some decent action, some decent revelations about the characters, but ultimately, kind of forgettable I suppose.
Matt Hawkins and Stjepan Sejic’s IXth Generation, the next phase in the future-set Aphrodite IX storyline, finally kicked off last month and proved to be one hell of a comic. In retrospect and time-context, it definitely beat most of my expectation. Which I’m honestly quite happy for, since I wanted this book to be good and the first issue did not disappoint me.Weaving in a story with the IXs and their fight against The Darkness with Aphrodite IX and Hephaestus IX leading the way, the first issue was an intense story about fighting ancient monsters and confronting your own weaknesses. Great concept that.
In this past week’s IXth Generation #2, we follow on from the events of the first issue as Aph and Heph break out from Sanctuary XIII to get back to Earth, while at the same time we also see the flashbacks that portray the life of the IXs following the Ascension, when they all took control of the Earth from the two warring states of Speros City and Genesis, establishing their own dominance over the world. The story here is much more intense this time and on several different levels too, and that makes for one hell of a read. Not to mention Stjepan’s amazing visuals as usual.
In recent months, Geoff Johns’ Justice League seems to have found a new lease on being awesome after all the unpleasantness of the Forever Evil crossover, and has become one of my most anticipated titles in any given month. The current story arc with the AMAZO virus is incredibly by all accounts, and it is really nice to see a comic that mixes in supervillains working alongside superheroes work out so well. Plus, who can really fault a comic where the Justice League has to depend on Lex Luthor to save the day and even work with him on it? Crazy, I tell you!
We have seen in the previous issues that as far as the AMAZO virus is concerned, the fate of metahumans everywhere and even the world hangs in the balance. And all that stands between this supposedly sentient and ever-evolving virus and the world are Lex Luthor, Superman and Wonder Woman. Batman was a part of the action too, but unfortunately he too has “fallen” and is now part of the enemy host. What this issue does really well is show off the antagonism between Lex and Superman in a great way, while Wonder Woman gets some of the most amazing action sequences that a female superhero at DC has gotten in the last three and a half years.
With Brick out of the picture, and Oliver back from Nanda Parbat or wherever it was that he “fell” while fighting against Ra’s al Ghul in a duel, it was time for the show to move on to grander things yet, such as Team Arrow dealing with their central element being back in the picture, and Oliver learning how much the city and his friends have changed in his absence. And at the same time, we also got to see some really nifty stuff elsewhere as Oliver finally comes clean with Thea about his… extracurriculars, which in itself was handled maturely by the writers of the episode.
In this week’s episode, “The Return“, we have Thea and Oliver on Lian Yu, training to fight against the League of Assassins. Malcolm wants Oliver to regain his killer instinct, the one he displayed when the two of them had their big showdown in the season one finale and which Oliver did not have during the season two finale against Slade Wilson, and so the Dark Archer puts into effect a really dangerous plan that just might see both Thea and Oliver dead. With the return of the awesome Manu Bennett as Slade, this episode would have been great on its own, but we also get to see Oliver and Maseo come to Starling in the flashbacks, and those sequences expose something deep-rooted with the show.
CW’s The Flash has full-on moved into the second half of its debut season, and by all account it is doing a terrific job. The mid-season finale changed a lot of things for almost all the characters and the show’s return from its break has been nothing short of phenomenal. Of course, there are the occasional hiccups (which show doesn’t have them?) but by and large, The Flash has been a tremendous success for comic book properties, showing explicitly that you can have humour and seriousness at the same time without compromising or overdoing either. That really is what The Flash is all about.
This week’s episode, “Fallout“, picks up from where the last week left off, with Firestorm set to go nuclear and Barry and Caitlin racing to avoid the fallout. Well, it turns out that Harrison Wells’ quantum splicer did its trick after all and the good guys are able to separate Ronnie from Dr. Stein. But of course, the tale isn’t done because General Eiling is on Firestorm’s case and much of the episode deals with the back-and-forth between them, and we learn that General Eiling knows far more about what goes on at STAR Labs than anyone thought he did, and he also comes prepared for every eventuality. Almost. As great as the episode was though, the stinger at the end was beyond awesome and incredible. Totally fangasmic in the best way possible.
And so here we are. Six episodes of Marvel’s Agent Carter have really primed me up for the unfolding history of the Marvel Cinematic Universe, as told through the eyes of the people who were there in the earliest of days: Peggy Carter and Howard Stark. Last week, Peggy was put in a really bad position when Agent Sousa finally connected the dots and identified her as the blonde-haired woman who had been interfering with the SSR’s hunt for Howard Stark. It was a rather emotional episode that also saw some great action, and it just made me all the more excited for this week’s episode..
Titled “Snafu“, this week’s episode delves into the whole “myth” of Agent Carter the war-hero as Chief Dooley and Agents Thompson and Sousa grill Carter over her involvement with Stark and his missing weapons. It is a really touching extended sequence since Carter gets to throw their misogynistic BS in their faces at every single opportunity and forces them to confront the fact that they were all full of themselves whenever it came to dealing with her. And then there’s the whole great stuff with Dr. Ivchenko and Dottie, both revealed as Leviathan agents last week, and with the finale next week, they are finally going to make their big move.
As part of its bid to “revitalize” the Star Wars franchise, having recently acquired it from George Lucas, Disney last month launched a new Star Wars comic that resets the entire comics-verse established by Dark Horse Comics to just the six movies, the ongoing Star Wars: Rebels show, and something else that I can’t quite recall. The new comic is set in-between the original movie and its sequel, and it follows on from what the Rebels and the Empire did in the intervening time. It was a somewhat better comic than I expected, but also of a letdown in some ways.
So I was expecting this past week’s Darth Vader #1 to be different and be better, but I had my doubts about it since Kieron Gillen’s writing is extremely hit-and-miss for me, which the writer proves yet again with this issue. The artwork here is actually pretty good, which you expect from a team that boasts of Salvador Larroca and Edgar Delgado, but the writing definitely did NOT impress me, and it is frankly one big mess that I really didn’t get. Plus it seems to show Darth Vader and the Emperor both as very petty and one-sided characters, which didn’t help things.
It isn’t a secret that CW’s Arrow has had an amazingly good season 3 as far as I’m concerned. I’ve loved pretty much all that we’ve seen on the show so far in the 2014-2015 season, and the greatest thing definitely has to be the fact that Starling City has gone bring the Vigilante’s city to a City of Heroes. Season 2 actually had that whole latter theme going on, but it was more a transitionary thing, and it is season 3 is where it all starts to really come together. And along the way, characters like Thea Queen and Laurel Lance have improved immeasurably since their earliest appearances on the show, while the others like Felicity Smoak and Oliver Queen among others have continued to grow.
Two weeks back the villain Brick, who has set himself up as the new power in the Glades, set the stage for a hostile takeover for all of the Glades, pushing out both policemen and city officials. We’ve already seen before that Team Arrow minus Oliver has really struggled against Brick before, so them going up against the big bad once again is perhaps not the best idea, but then, the way it is all handled in episode 12 shows how Team Arrow has grown into being more than just Oliver’s allies of need and circumstance. And this theme carries on over in episode 13 from this week when we see how the team functions when it is whole once again.
At a point when we are pretty much half-way through the first season of CW’s The Flash, there isn’t really any point in repeating myself that the show has been incredible since it started. Debuting the Scarlet Speedster back in October of last year, The Flash has made waves everywhere and I dare say that it has overtaken Arrow in terms of popularity, for the pure reason that it is such an uplifting show in general, less moody and more action-adventure with a bigger dose of humour. And thus the show totally fits the titular character, though the writers never shy away from showing some really serious stuff. Nor they should.
Episodes 12 and 13 of The Flash do a lot of great things. For one, we delve further into the mystery of how Ronnie became Firestorm and how Dr. Martin Stein is caught up in everything. This is where previous supervillain Hartley Rathaway fits in with a really interesting twist and we get to see Cisco get to kick some ass. Then there’s the whole thing with a new character being introduced into the mix, and suddenly, it is as if the show’s cast has increased to almost double, and I’m loving all that has been happening the last two weeks.
Things have really been heating up on Marvel’s Agent Carter of late. Starting with the revelation two weeks ago that Peggy’s fellow Griffith resident Dottie was a Leviathan agent and then Peggy going to Russia with an SSR team and her old friends the Howling Commandos to kick some Red-butt, it has been a whirlwind of things. And we’ve finally started to see Peggy “grow up” a little and become more forceful with her colleagues at the SSR, which has actually been quite a revelation since she usually accepted the patriarchal behaviour and put it out of her mind. Now she’s fighting forcefully in the big leagues!
The new episode this week, “A Sin To Err“, really takes things to the next level, and the journey getting to that is rather tragic. Last week Agent Sousa finally figured out that the mysterious woman who had thwarted the SSR’s efforts to capture some of Howard Stark’s supposed criminal contacts was actually Peggy, and so the agency goes after her, even as we see what exactly is happening with Dr. Ivchenko and Dottie in their respective stories here. The tension is definitely getting even more so, and the show is headed for a really big showdown that can only be called explosive.
Recently writer Ales Kot turned Secret Avengers on its head when he revealed that Modok had actually been the one to have planned all the bad stuff that had been happening to the Secret Avengers and Maria Hill, and that at the same time his favoured henchman Snapper had also been quite actively involved in his master’s machinations. It was truly a head-twisting moment, as far as I’m concerned, and it helped put into perspective certain other things that the series had been developing of late. And all of that went hand-in-hand with the excellent art that the series art team had been putting out, especially of late.
In Secret Avengers #12 we see some more momentous things. The revelation about Modok has certainly been a game-changer, but events elsewhere have already gained steam and this issue deals largely with the fallout of such. If you are a fan of Secret Avengers in general or the characters found herein in particular, then this is an absolute must-read issue because we finally learn some of what goes on in Modok’s mind, and that’s more valuable than almost anything else.