A stable week for a change and this meant that I was able to read some more comics this time. Didn’t get through quite as many as I wanted to, and I certainly didn’t get around to reviewing as many as I wanted to, but that’s fine really. Gotta take a bit of an occasional lighter load I think. Most of the Marvel books I read this week weren’t all that impressive (as the top picks at the end will show), but DC was better. And Vertigo’s newest series looks to be damn good too, can’t wait to check out the second issue of that next month.
And I did manage to begin my Flash New 52 read-through finally with volume 1 last night, so that’s something there. Planning to read a lot of graphic novels this year, mostly in terms of catching up with series I’ve missed out on, so we shall see how it all pans out.
Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
The previous two issues of Marvel Knights: X-Men have been surprisingly good. As someone who was a bit jaded with the X-books following last year’s Battle of the Atom crossover, this new (mini) series proved to be a breath of fresh air in almost all respects and the creative team of Brahm Revel and Cristiane Peter did some really good work on both these issues. They introduced the characters well and gave them a compelling mystery to sink their teeth into, something that could resonate with the reader alongside some of the more compelling X-Men stories.
But sadly, the third issue, released this week, proves to be a bit of a bummer. After the awesomeness of the previous two issues, we got a very disappointing issue this week. And its not so much as the art as the writing that is problematic here. The X-Men don’t exactly act in character and the revealed powers of Darla grow steadily more messy, in both story and art. I’m not sure really. I kind of enjoyed the story here, but I was also put off by it in several places. Perhaps that’s why I found it so disappointing.
It has been quite an interesting month in many respects as far as Marvel’s latest round of relaunches is concerned. This is their big month, marking the release of several new series such as Avengers World, All-New X-Factor, Black Widow and more. It seems that in the first months of all the new series, Marvel is double-shipping the titles, and with Black Widow at least that has really paid off since Nathan Edmondson and Phil Noto have delivered on an amazing book. I read All-New X-Factor #1 a couple weeks back and it was not so good. It was a letdown basically.
But All-New X-Factor #2 seems to be turning that around. I enjoyed the story for sure. I wasn’t really expecting it to be better, but it was and I have to say that there’s a big difference between this issue and the debut issue. The art is slightly better as well, although it could be more well-defined at the least, so there’s that. When all is said and done, I’m now getting interested in the title, and if things continue to improve, I can see myself sticking around for a while.
Once again, a very light reading week, with no graphic novel reading at all. I took a trip to India and back over the weekend, mostly because preparations for a cousin’s upcoming marriage and mom’s treatment, so reading time was extremely limited. I’m even behind on my novel reading at the moment, so I’m generally not doing well on that front at all.
Some really fun titles launched this past week, such as Night of the Living Deadpool, so it was an entertaining week at least, for the most part.
Well, here we are. This will be the final CPoTW post of the year, even though today is the last new comic book day of 2013. Just the way these schedules all work out and all.
Moving on, this was a somewhat light week in some respects since I didn’t get around to as many comics as I wanted to. Quite a few titles slipped through the cracks, which is happening more and more given the sheer volume of how many comics are (generally) released each and every week. Still, one bright ray of sunshine in all of this was that I managed to read three entire graphic novels this week, all of them for Batgirl, with one featuring Cassandra Cain and the other two featuring Stephanie Brown, both characters who are much in demand among several outspoken communities of fans to be revived in the New 52. Having read these graphic novels, I certainly agree with that!
A few years ago Marvel put out a 4-issue limited series called Origin which detailed the earliest years of Wolverine’s life. Casting him as the son of a landowner somewhere in Canada, the young James Howlett suffered through many trials and tribulations that ultimately led to him forsaking society all together. Several plot threads of that comic were reused for the X-Men Origins: Wolverine movie, and the adaptation took away from a lot of the mystique that that comic had created, the deep sense of character and history.
And now we have Origin II, the sequel to that series that tells of the time between Origin and later, when the character joined the army and fought in the first World War. This Wolverine we see is completely different from any I’ve seen before and I have to say that I’m really intrigued. Usually Kieron Gillen’s writing doesn’t work for me, but this has proven to be a different case. And the art is quite good, despite the dominant white palette. Still, really good.
In the last few years, a really interesting trend has surfaced. When it comes to the entertainment industry, specifically the visual media segment, movies based on Marvel Comics characters have set a new benchmark for box office success in the superheroes genre. DC Comics characters have struggled to meet those same successes outside of the tentpole movies like the Christopher Nolan Batman trilogy and the recent Man of Steel. On the flipside, television shows featuring DC Comics characters have established their own high benchmarks that Marvel Comics characters are struggling to meet, rather desperately so. Case in point, the brand-new Marvel’s Agents of SHIELD has been hemorraging viewers every single week while DC’s Arrow, now in its second season, has continued apace and its success has led to DC green-lighting several more shows.
However, when it comes to the animation divisions, there is much more equity between the Big 2 of the comics industry, and this is where Wolverine and the X-Men steps in. A fourth animated adaptation of the X-Men characters, the show brings along a whole different team, and things start off with a bang, with a three-parter opening arc which puts the X-Men on the offensive from the get go and touches on various different areas of the X-Men universe. It is bold, it is ambitious, and based on the first three episodes it is also rather good.
With all the dozens of X-books already on its monthly release schedule, Marvel added another one to the mix last month, and brought back fan-favourite Kurt Wagnar aka Nightcrawler, who’s been dead for a few years. The guy is still dead, but he’s clearly being setup for a resurrection of sorts since he happens to be in Heaven of all places. The first issue was pretty good in almost all respects. It had a really fun story, some really good art and it had Nightcrawler being all kinds of awesome. When you start off a new series with something like that, that sets expectations for the immediately future issues.
That’s one place where the second issue failed for me since Nightcrawler is here in only one panel, but narrates the entire story regardless. The action this time around is completely focused on the Amazing X-Men team sans Nightcrawler and while I kind of enjoyed it, I still felt let down in a lot of ways since there was a lot of a genericness to the issue, whether we are talking location or dialogue or what have you. Its not the issue I expected or needed or wanted.