Daredevil is one of Marvel Comics’ workhorse superheroes. He is a street-level character who usually deals with criminal realities on the streets rather than having the grandiose adventures of the kind that the Avengers and X-Men, though he has certainly participated in a few shared high-rides in his long history. A little over a decade ago, the character got a major push when we got the 2003 Daredevil live-action movie starring Ben Affleck, Jennifer Garner, Colin Ferrell and Michael Clarke Duncan in the lead roles. While the movie had some potential to it, it unfortunately flopped and the character’s live-action future was binned. That is, until the rights to the titular character and a few other associated heroes and villains reverted back to Marvel Comics almost three years ago.
This reverting then led to Netflix picking up the slate for a shared-universe TV series and last year we saw the first fruits of the same with the first season of Daredevil, with Charlie Cox taking up the torch from Ben Affleck in the titular role as we saw how the Man Without Fear got his start in his fight against crime in the Hell’s Kitchen area of New York, and indeed in the rest of the city as well. Comprising of thirteen spectacular episodes, Daredevil effectively broke new ground in lots of different ways and brought together an amazing cast of actors who gave it their all, cementing Daredevil as a major superhero once again while also shining the spotlight on his various friends and enemies.
The world of superhero television has been quite a abuzz this year. Whether it is the topic of the new DC Television shows like Supergirl and Legends of Tomorrow or Arrow and Agents of SHIELD coming back for yet more after seeing some record success, or even the release of the Netflix Marvel shows, 2015 has been pretty damn incredible so far. And it only keeps getting better. Earlier this year we had the first of the new Defenders franchise, Daredevil, which did an incredible job of bringing the blind lawyer and superhero Matt Murdoch to television. Successful enough that it was almost immediately renewed for a second season, which only seems to be getting better with each new piece of information coming out about the show’s production.
But of course, one of the things that Daredevil was meant to do was pave the way for Jessica Jones, the second show in the series of 4 that will eventually lead to a Defenders show. Starring the likes of Krysten Ritter, David Tennant, Mike Colter and Rachael Taylor, Jessica Jones has had a great first season, and I must say that I was pleasantly surprised by the show. Sure, it had some hits and misses like most debut shows (especially the superhero variety), but it also did some really mind-boggling things that you wouldn’t have expected. And the stars, and the writing and everything else all fit together into a really neat package that is worth going back for a rewatch.
Let’s not mince any words here. Ever since the show’s pilot got leaked online a few months back, I’ve been pretty damn excited for this. The trailers were promising, though a bit weird, but I had faith in the show and what it promised to deliver, and the leaked pilot did set me up on the positivity train. Well now, now we are in the second week of the show, and all those months of waiting has definitely been worth it. From the people who’ve brought us so many comic-book properties on television in recent years, Supergirl is a great addition to the line-up.
I reviewed the leaked pilot back in May, which you can read here, and it was a pretty good experience for me. As I said in that article, I found the actual pilot to be much better than the trailer let on, and it made me fall in love with Melissa Benoist’s portrayal of the Maid of Might all over again. Supergirl is one of my favourite DC superheroes, and it is great to see such a perfect portrayal here, which easily matches what Grant Gustin has been doing for close to two years now as The Flash. The supporting cast is also working fairly well together, and though there are a few kinks here and there in terms of story and general character-writing, this show has started off great.
DC’s Sensation Comics Featuring Wonder Woman got off to a really great start last year, but somewhere along the way, it kind of lost its momentum with some really odd stories that seemed to be shoehorned in, for no reason at all. And that’s kind of why I felt turned off from the experience of reading the comics, and even writing the reviews, because I didn’t want to review what I saw as less-than-expected. There were some good stories in the middle, sure, but mostly, it was all just rather boring.
Thankfully, issues #33 through #35 provide something of a revival in that respect. Some of the recent stories have been really good, and I think that it is this arc, Vendetta, that puts it all into perspective. Written by Josh Elder, this arc is all about a fateful encounter between Diana and Ares, set against the backdrop of a racial civil war in a war-torn African country. It feels simplistic at first, but it has a great message, and that’s the true value of it. The art by Jamal Igle, Juan Castro, Wendy Broome and Deron Bennett is also fairly decent, though it could use some improvements.
Just as Dynamite is no stranger to crossover event comics, it is also no stranger to team-up style comics, of which the publisher has done quite a few in recent years. Masks is once such title. It came out in 2012-2013 and it brought together many of the publisher’s various pulp action heroes such as The Shadow, Green Hornet, The Spider, and others. I never read the title then, as I wasn’t really into either pulp comics or Dynamite in general back then, and that’s kind of something I regret at this point, given how strongly some of these characters are in their solo series.
Masks 2 came out last month with its first issue, and it kind of proved to be a slam dunk for me. I’m of course familiar with Green Hornet and Kato from the unfortunate Seth Rogen movie, and the other characters like Shadow and Spider I’ve read about in some other titles like Justice Inc. and The Spider, whereas the others are all new to me. And that’s part of the fun of this first issue, that you get to see and meet so many different personalities. Cullen Bunn does some great work setting up the main conflict of the story here, and Eman Casallos’ art seems to hit the mark as well, capturing the feel and tone of the era quite well.
Last year DC/WB announced that Supergirl aka Kara Zor-El would finally be making her way back to live-screen this year, with the character getting an ongoing show on CBS, which is part-owned by CW, the network that airs the hit-and-successful superhero shows The Flash and Arrow with a joint spin-off Legends of Tomorrow launching later this year as well. As a huge fan of the unfairly maligned Supergirl movie with Helen Slater, this was great news for me, especially since I love the character, and because the current creative team on the Supergirl comics is also just totally rocking it right now.
Through all the casting information and plot details that were revealed about Supergirl, it came across as a decent addition to the DC/WB television DC universe, and I was certainly excited by the prospect. And then just a few days ago we had what was an awesome 6-min trailer that introduced Melissa Benoist as Kara Danvers aka Kara Zor-El aka Supergirl. The trailer had some flaws, but it was promising, and I couldn’t wait to see more. Which I did last night since the pilot episode got “leaked” onto the internet everywhere, and I saw for myself just how good this show was really going to be, and that the trailer didn’t do the show enough justice.
Since October last year, this has been coming, the end of one of the best shows on television in the last five years. Something that a lot of people hoped would be great, but doubted would actually get to that stage. But CW’s The Flash beat pretty much every expectation that fans had of it. It breezed by, changed the landscape, and maintained one hell of a consistency week after week. Sure, there were the occasional silly things such as the Bug-Eyed Bandit and what not, but by and large, and for me at least, The Flash was so much better of a show than Arrow, and I don’t say that lightly.
In episodes 21 through 23 (“Grodd Lives“, “Rogue Air“, and, “Fast Enough“), we see some of the most incredible moments of the show as yet. The first of those is pretty obvious. Gorilla Grodd was hinted at as being a villain on the show since the pilot and much of my fascination with the show was because of that expectation, which this episode met in a really great way and did justice to one of my favourite villains from the DC verse. The second switched things around a bit when Barry got Snart and his gang involved in his fight against Harrison Wells, with some truly tragic results, but which also solidified his moralities. And then, and then we have the finale from last night, which was beyond incredible. I had such huge expectations from the finale, and I certainly wasn’t disappointed. It was what fans needed and deserved after a season’s worth of trust and promise.
Note: This review contains some major spoilers for all three episodes, though I’ll try to keep things simple for the finale.
Last time we were with Kamala Khan aka the new Ms. Marvel, Loki crash-landed a prom party and she rightly schooled him for his scheming and planning, in addition to some great heroics in general. That’s one of the most endearing things about the title and the character because G. Willow Wilson has made Ms. Marvel into a very fun and relaxed title that occasionally deals with real world issues but never gets too heavy with the allusions so that you go and think “geez, not this again”. More than a year on since release, and Ms. Marvel is still one of the best titles on the shelves, and for good reason!
Taken together, issues #13 through #15 of Ms. Marvel are about Kamala exploring more of her Inhuman legacy and also learning more about herself and fighting against everyday challenges borne out of the patriarchal bias of society. G. Willow Wilson has taken a somewhat similar line before, using Kamala’s adventures as social commentary in one way or another, but she really hits it out of the park with these three issues, and the art by new-to-series Takeshi Miyazawa impresses as much as that of Adrian Alphona before, making for a very seamless transition.
The previous issues of Black Widow have been pretty spectacular, as has been the norm on the title since its launch early last year. Natasha’s investigations into the organization CHAOS that has been causing all sorts of problems for SHIELD of late yielded some surprising results back in #15 and it made for a really interesting change of pace as far as the story was concerned. It also gave artist Phil Noto a chance to really go to town with the visuals and none of that seems to be headed for a slowdown in any way.
The two most recent issues, Black Widow #16 and Black Widow #17 are all about what CHAOS really is and what plans they have for Natasha and others like her all over the world. The reveal about CHAOS is something that really twists the head in ways you wouldn’t expect. Nathan manipulates the story in a really deft way and he shows some really mad skills as he has Natasha navigate the web of lies and half-truths being peddled by CHAOS. Supporting him, Phil also does a pretty incredible job and though some of the scenes were a bit more low-key than usual, his own mad skills were never in doubt I’d say.
The 2014-15 season has been pretty incredible for the DC universe. Not only did we have CW’s Arrow returning for a third season, but we also had The Flash on CW as well, alongwith projects like Gotham and Constantine on others. Not to mention some of the other stuff that is in the works, such as the recently announced Legends of Tomorrow, which is going to be the second spin-off show for Arrow (a truly awesome achievement by the way!), and the upcoming Supergirl.
Yes, Supergirl is coming to television for the 2015-16 season! And last night, CBS released a “First Look” trailer for the show, which appears to be basically a(n) (extended) teaser from the upcoming pilot episode. Can. Not. Wait!
As I’ve mentioned before, Geoff Johns’ Justice League found a new lease on life following the Forever Evil crossover and that it returned to its previous levels of awesome, especially with artists Jason Fabok and Brad Anderson coming on-scene to provide the other half of the team. The AMAZO virus storyline was definitely all kinds of awesome, and I really enjoyed getting back into such an involved and moving story after the (almost) dead beats of Forever Evil. But now it is time for something different yet again, and recent experience seems to hold up well in the new arc.
With the recent Justice League #40, Geoff Johns is kicking off yet another new phase in the title, this one titled “Darkseid War“. The issue itself is told through the viewpoint of the being known as Metron, a universal entity far above the ken of even such mighty beings as superheroes. The entire issue is pretty much his monologue, and we learn some startling things about the DC universe, as well as the true nature of the being known as the Anti-Monitor and how the ongoing Convergence event fits into the whole tapestry that Geoff and others at DC have been working on of late.
The first half of Realm War: Age of Darkness was packed with a hell of a lot of action. Writer Joe Brusha devoted a lot of time to fleshing out the post-Grimm Fairy Tales #100 world, one in which the bad guys won and took over the realms, even as the heroes rose up again to fight them, to reclaim their individual worlds. And things have certainly been downhill for them for most of the way. It was a rather classical approach, and it worked out well for me, for Brusha presented lots of fun mysteries and relationships, even as artists Sami Kivela and Maxflan Araujo went to town on the illustrations and all the cool action sequences and what have you.
But, Realm War #7 marks a turning point in that we move into the second half of this epic crossover, and the good guys are now starting to make some real headway. Despite all the adversity, all the losses and the betrayals, it looks like the good guys finally have a real chance of stopping the Dark Queen (retrospectively we know already that they win, courtesy of the other titles from the publisher, namely Grimm Fairy Tales itself). Issues 7 through 9 are full of more epic action, more character moments, etc, and it is the ninth issue that finally gets the ball really rolling, as the heroes strike out for a major blow against the villains, a definitive one in fact.