DC’s Sensation Comics Featuring Wonder Woman got off to a really great start last year, but somewhere along the way, it kind of lost its momentum with some really odd stories that seemed to be shoehorned in, for no reason at all. And that’s kind of why I felt turned off from the experience of reading the comics, and even writing the reviews, because I didn’t want to review what I saw as less-than-expected. There were some good stories in the middle, sure, but mostly, it was all just rather boring.
Thankfully, issues #33 through #35 provide something of a revival in that respect. Some of the recent stories have been really good, and I think that it is this arc, Vendetta, that puts it all into perspective. Written by Josh Elder, this arc is all about a fateful encounter between Diana and Ares, set against the backdrop of a racial civil war in a war-torn African country. It feels simplistic at first, but it has a great message, and that’s the true value of it. The art by Jamal Igle, Juan Castro, Wendy Broome and Deron Bennett is also fairly decent, though it could use some improvements.
Just as Dynamite is no stranger to crossover event comics, it is also no stranger to team-up style comics, of which the publisher has done quite a few in recent years. Masks is once such title. It came out in 2012-2013 and it brought together many of the publisher’s various pulp action heroes such as The Shadow, Green Hornet, The Spider, and others. I never read the title then, as I wasn’t really into either pulp comics or Dynamite in general back then, and that’s kind of something I regret at this point, given how strongly some of these characters are in their solo series.
Masks 2 came out last month with its first issue, and it kind of proved to be a slam dunk for me. I’m of course familiar with Green Hornet and Kato from the unfortunate Seth Rogen movie, and the other characters like Shadow and Spider I’ve read about in some other titles like Justice Inc. and The Spider, whereas the others are all new to me. And that’s part of the fun of this first issue, that you get to see and meet so many different personalities. Cullen Bunn does some great work setting up the main conflict of the story here, and Eman Casallos’ art seems to hit the mark as well, capturing the feel and tone of the era quite well.
Last year DC/WB announced that Supergirl aka Kara Zor-El would finally be making her way back to live-screen this year, with the character getting an ongoing show on CBS, which is part-owned by CW, the network that airs the hit-and-successful superhero shows The Flash and Arrow with a joint spin-off Legends of Tomorrow launching later this year as well. As a huge fan of the unfairly maligned Supergirl movie with Helen Slater, this was great news for me, especially since I love the character, and because the current creative team on the Supergirl comics is also just totally rocking it right now.
Through all the casting information and plot details that were revealed about Supergirl, it came across as a decent addition to the DC/WB television DC universe, and I was certainly excited by the prospect. And then just a few days ago we had what was an awesome 6-min trailer that introduced Melissa Benoist as Kara Danvers aka Kara Zor-El aka Supergirl. The trailer had some flaws, but it was promising, and I couldn’t wait to see more. Which I did last night since the pilot episode got “leaked” onto the internet everywhere, and I saw for myself just how good this show was really going to be, and that the trailer didn’t do the show enough justice.
Since October last year, this has been coming, the end of one of the best shows on television in the last five years. Something that a lot of people hoped would be great, but doubted would actually get to that stage. But CW’s The Flash beat pretty much every expectation that fans had of it. It breezed by, changed the landscape, and maintained one hell of a consistency week after week. Sure, there were the occasional silly things such as the Bug-Eyed Bandit and what not, but by and large, and for me at least, The Flash was so much better of a show than Arrow, and I don’t say that lightly.
In episodes 21 through 23 (“Grodd Lives“, “Rogue Air“, and, “Fast Enough“), we see some of the most incredible moments of the show as yet. The first of those is pretty obvious. Gorilla Grodd was hinted at as being a villain on the show since the pilot and much of my fascination with the show was because of that expectation, which this episode met in a really great way and did justice to one of my favourite villains from the DC verse. The second switched things around a bit when Barry got Snart and his gang involved in his fight against Harrison Wells, with some truly tragic results, but which also solidified his moralities. And then, and then we have the finale from last night, which was beyond incredible. I had such huge expectations from the finale, and I certainly wasn’t disappointed. It was what fans needed and deserved after a season’s worth of trust and promise.
Note: This review contains some major spoilers for all three episodes, though I’ll try to keep things simple for the finale.
Last time we were with Kamala Khan aka the new Ms. Marvel, Loki crash-landed a prom party and she rightly schooled him for his scheming and planning, in addition to some great heroics in general. That’s one of the most endearing things about the title and the character because G. Willow Wilson has made Ms. Marvel into a very fun and relaxed title that occasionally deals with real world issues but never gets too heavy with the allusions so that you go and think “geez, not this again”. More than a year on since release, and Ms. Marvel is still one of the best titles on the shelves, and for good reason!
Taken together, issues #13 through #15 of Ms. Marvel are about Kamala exploring more of her Inhuman legacy and also learning more about herself and fighting against everyday challenges borne out of the patriarchal bias of society. G. Willow Wilson has taken a somewhat similar line before, using Kamala’s adventures as social commentary in one way or another, but she really hits it out of the park with these three issues, and the art by new-to-series Takeshi Miyazawa impresses as much as that of Adrian Alphona before, making for a very seamless transition.
The previous issues of Black Widow have been pretty spectacular, as has been the norm on the title since its launch early last year. Natasha’s investigations into the organization CHAOS that has been causing all sorts of problems for SHIELD of late yielded some surprising results back in #15 and it made for a really interesting change of pace as far as the story was concerned. It also gave artist Phil Noto a chance to really go to town with the visuals and none of that seems to be headed for a slowdown in any way.
The two most recent issues, Black Widow #16 and Black Widow #17 are all about what CHAOS really is and what plans they have for Natasha and others like her all over the world. The reveal about CHAOS is something that really twists the head in ways you wouldn’t expect. Nathan manipulates the story in a really deft way and he shows some really mad skills as he has Natasha navigate the web of lies and half-truths being peddled by CHAOS. Supporting him, Phil also does a pretty incredible job and though some of the scenes were a bit more low-key than usual, his own mad skills were never in doubt I’d say.
The 2014-15 season has been pretty incredible for the DC universe. Not only did we have CW’s Arrow returning for a third season, but we also had The Flash on CW as well, alongwith projects like Gotham and Constantine on others. Not to mention some of the other stuff that is in the works, such as the recently announced Legends of Tomorrow, which is going to be the second spin-off show for Arrow (a truly awesome achievement by the way!), and the upcoming Supergirl.
Yes, Supergirl is coming to television for the 2015-16 season! And last night, CBS released a “First Look” trailer for the show, which appears to be basically a(n) (extended) teaser from the upcoming pilot episode. Can. Not. Wait!
As I’ve mentioned before, Geoff Johns’ Justice League found a new lease on life following the Forever Evil crossover and that it returned to its previous levels of awesome, especially with artists Jason Fabok and Brad Anderson coming on-scene to provide the other half of the team. The AMAZO virus storyline was definitely all kinds of awesome, and I really enjoyed getting back into such an involved and moving story after the (almost) dead beats of Forever Evil. But now it is time for something different yet again, and recent experience seems to hold up well in the new arc.
With the recent Justice League #40, Geoff Johns is kicking off yet another new phase in the title, this one titled “Darkseid War“. The issue itself is told through the viewpoint of the being known as Metron, a universal entity far above the ken of even such mighty beings as superheroes. The entire issue is pretty much his monologue, and we learn some startling things about the DC universe, as well as the true nature of the being known as the Anti-Monitor and how the ongoing Convergence event fits into the whole tapestry that Geoff and others at DC have been working on of late.
The first half of Realm War: Age of Darkness was packed with a hell of a lot of action. Writer Joe Brusha devoted a lot of time to fleshing out the post-Grimm Fairy Tales #100 world, one in which the bad guys won and took over the realms, even as the heroes rose up again to fight them, to reclaim their individual worlds. And things have certainly been downhill for them for most of the way. It was a rather classical approach, and it worked out well for me, for Brusha presented lots of fun mysteries and relationships, even as artists Sami Kivela and Maxflan Araujo went to town on the illustrations and all the cool action sequences and what have you.
But, Realm War #7 marks a turning point in that we move into the second half of this epic crossover, and the good guys are now starting to make some real headway. Despite all the adversity, all the losses and the betrayals, it looks like the good guys finally have a real chance of stopping the Dark Queen (retrospectively we know already that they win, courtesy of the other titles from the publisher, namely Grimm Fairy Tales itself). Issues 7 through 9 are full of more epic action, more character moments, etc, and it is the ninth issue that finally gets the ball really rolling, as the heroes strike out for a major blow against the villains, a definitive one in fact.
DC’s He-Man: The Eternity War has been kicking butt since it started. Spinning out of the He-Man and the Masters of the Universe series, this new book has really ramped up everything that was great about that series, and given it a new context, one that is grander and just generally more epic. While I loved the contributions from the early creative team on that series, the change of guard with Dan Abnett as writer made things so much better, and The Eternity War has pretty much delivered on everything that I could ask of it, month after month.
Issues #4 and #5 continue the tale of Hordak’s all-out invasion of Eternia as the big bad himself has come to the world now, intending on destroying his enemies in a final all-out conflict. He-Man and his sister She-Ra have done much to head him off, what with He-Man and She-Ra leading an army of Serpent Men against Hordak’s forces, even as the rest of the loyal Eternians do their own thing. But things are really heating up now, and even as one of He-Man’s oldest enemy returns, the future of the war to save Eternia is very, very uncertain, because if there’s one thing that defines this setting, it is the constant betrayal and deception that is employed by the villains.
CW’s debut superhero spinoff show has been going all-out of late. While things have been heating up with regards to the overall mystery of Dr. Harrison Wells and the Reverse-Flash, the various characters’ lives have also been affected a great deal. Some characters have come out of it positively, while others haven’t. But that’s fine I suppose since the cast of the show is so big. And through all of it, there’s always that strong sense of optimism that the good guys, even while the villain of the show carries out his inside-man job.
Last week’s “Who is Harrison Wells?” and this week’s “The Trap” showcase really well how things are changing on the show. For the good guys, Harrison Wells’ secret is out in the open, they just have to find some solid proof of all the criminal things he has done so that the biggest mystery of the show can be finally solved as far as the CCPD is concerned: did Barry’s father really kill his mother? That has certainly been the driving force for Barry since that fateful night, and we are finally getting some major revelations, with these two episodes leading the way as The Flash
‘s debut season moves into its final stretch with just three more episodes to go.
Since it premiered back in 2012, Arrow has not been a show to ignore the dark corners of the superhero psyche. Again and again we have seen some really horrible things happen on the show, whether it is torture or mutilation or what have you and betrayal of the self and betrayal of the family is something that has been a running theme on the show. Season 3 itself got off to a really grim tone last year, and recent episodes have shown that this theme isn’t going anywhere and that the times are indeed wholly dark for Team Arrow.
Episodes 18-20 of the show have been very interesting from a story perspective. Oliver’s secret is once again out in the open as Ra’s al Ghul intensifies his… pressure on Oliver to become the next Demon’s Head, and with this come some true heroics from the team. And not only that but we also get to see Ray Palmer become a hero himself, as he begins to embrace the difference he can make alongside Team Arrow and even perhaps as a part of it. But that is all overshadowed by what is happening in the flashbacks, where Oliver and the Yamashiros’ freedom has become anything but.