Since 2013 is now over, its time to do my second “Best of the Best” list, for the second half of the year from July-December. There were some really good reads in this period, and as always, picking the best has been a chore. I always try to keep these lists as diverse as I can and hopefully you agree.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then! Read the rest of this entry
It is quite fitting that I post this review today. I’ve just finished watching a movie that had me really emotional in its final act, and Ive been going through some rough times lately which means that my emotional bar is pretty low at the moment. And yet, this is the holiday of good cheer, and its the day of good cheer too, what with Santa dropping by shortly to deliver some Christmas presents for people who believe. In many ways, Frank Herbert’s sequel to his award-winning, critically-acclaimed and completely untraditional Dune is perfect reading material for Christmas because of what it symbolises.
I’ll admit that three weeks back is the first time that I ever read Dune: Messiah. Since my high school library never had the book (the one copy we did have was extremely battered and completely unreadable as a result) and I never went back to read it for some reason. Always skipped it when I read the other books. Then last year I listened to the audiobook from Macmillan, and I was blown away by how poignant it was. The second half of the book really hits you hard with the emotions, and it never stops, even unto the end when you turn the last page. Its a novel about sadness and hope and a resurrection of sorts even. Easily one of the best books I’ve read this year, comparable to to Dune itself.
There’s an article floating around today in which Damien Walter talks about grimdark fantasy within the context of the David Gemmell Legend Award and the World Fantasy Award. There has been a lot of discussion about the contents of the article and grimdark fantasy on both Twitter and on the article itself. In a nutshell, it has been a very interesting argument on all sides and some good points have been made. But, as a reader and reviewer, I feel that something is getting lost in the translation because there are misconceptions being thrown about as to what grimdark fantasy is.
Additionally, there has been a distinct lack of acknowledgement of grimdark fantasy as written by women. Or, you know, just grimdark fiction in general, whether it is science fiction or fantasy. This isn’t something new of course, because the publishing industry and the reader/fan-base have become adept at glossing over the contributions of women in SFF, for the most part. This is a perception that desperately needs to change but sadly, there are very few agents of such change.
Regardless, fact remains that grimdark fiction isn’t what most people think it is. It is much more nuanced than the general public believes to be.
As part of my “Top 25 Series To Read In 2013” reading challenge, I’ve read a fair amount of books this year that can be considered to be classics of science fiction and fantasy, in all their different forms. There is a certain charm to all these novels that has persisted long after they were first published. Whether we talk about Frank Herbert’s space operatic political intrigue epic Dune or Margaret Weis and Tracy Hickman’s true-to-style epic fantasy Dragons of Autumn Twilight, I’ve had a lot of fun with these novels.
And that is my question: are they re-readable? I’ve read Dune and Dragons of Autumn Twilight several times since when I first read them in 2001. I think they are rereadable, but I’m not completely sure. Is the question answerable in part with regard to whether the book is good or not? We shall see.
I last did something like this in July for the six months from January 1st all the way to June 30th. This list is for July 1st and all the way through to December 30th (the last day doesn’t count!). As I mentioned at the end of that list, this isn’t going to be regurgitation of my “Reading Awards” page, but something more varied. The list takes into account everything I’ve read in the last six months.
Let’s see what makes the cut and which comes close then!
I first came across Dune, if I remember correctly, in late fall of 2002, when I was still in high school, 10th grade to be exact. It was a time when I was really getting to explore the wider world of speculative and contemporary fiction than just Animorphs or Enid Blyton. To give a few examples, this was when I discovered Warhammer 40,000, John Grisham, Dungeons & Dragons, Raymond E. Feist, Isaac Asimov, George Orwell’s 1984 and many, many other things. Dune, and the entire Dune-verse, has been obsession of sorts for me for ages now, going on 10 years, and when I was listening to the first half hour of the Dune audiobook yesterday, narrated by Scott Brick, Orlagh Cassidy, Euan Mortan, Simon Vance & Co., I started to think about why I liked Dune so much.
After all, in the summer of 2007, on my 20th birthday, when I was out and about at The Grove mall in Los Angeles and me and my friends walked into the Barnes & Noble there, I held up the book to them and told them that Dune was the best Science-Fiction novel ever written. An old gentleman who was browsing the same shelves turned to me and said: “You got that right, kid.”
Ever since I started proper with this writing business in February last year, I have been exposed to a really, really big world of writing out there. First it was finding the Bolthole. Then came becoming acquaintances with the various writers and editors at Black Library on Facebook. Then came interactions with them on Twitter. And then came the big explosion in November with NaNoWriMo.
This is a question that has been bothering me for the last week quite a bit. Mostly in relation to what the chapter name Sons of Corax really means. Ages ago on warseer when someone was posting their own DIY chapter they had some sort of similar name for a different legion successor. One of the posters said it was quite presumptuous of the chapter to name itself after the primarch, somehow indicating that the particular chapter was more favored by the primarch.
Is that necessarily true?
We already have the Sons of Guilliman, Sons of Dorn, Hammers of Dorn, Angels Sanguine, Disciples of Caliban, Heralds of Ultramar, Emperor’s XYZ, Imperial ABC, Knights of the Raven, other Sons of PQR etc etc. What are the significances of these names? The Heralds of Ultramar aren’t even based anywhere in Ultramar! The Sons of Orar aren’t even Orar’s sons in the sense that the Sons of Guilliman are literally sons of Guilliman! Did Dorn ever really carry a thunderhammer (how does the Fist of Dorn fit in here when the Imperial Fists are the ones using it)? Or the Emperor’s XYZ (loyalist) chapters who have been created after the Emperor ascended the Golden Throne and isn’t even aware of them? Are the Imperial ABC chapters really favoured by the Imperium?
Where does the favoritism being and where does it end? Is there really a question of these chapters being favored as indicated by the names of these chapters?
Two other aspects of the question are A, what is the power of these names and B, what is the real significance of these names? Let’s take it one by one.
A, The Power of Names – Fiction is quite literally littered with references and cases to/of the idea that names have power. These are reminiscent of some of the oldest religions on our planet. Knowing the name of a daemon gives you power over him is a concept particularly emphasised in both Warhammer worlds and in 40K we have the new background stating that the names of Grey Knights are parts of the true names of daemons! It is all the same as knowing the true identity of a spy, which allows you to exert power over him/her.
Why else do Inquisitors in 40k operate in subterfuge, particular examples being Eisenhorn and Ravenor. They don’t think twice about falsifying identities.
In Frank Herbert’s Dune series, the name Muad’Dib is a name of power, a killing name that the Fremen soldiers can use to literally kill their enemies with the aid of their sonic weapons.
Perhaps the Alpha Legion, at least pre-Heresy, exemplified this best of all. All Alpha Legionnaires are Alpharius when questioned in the book Legion. The identity of the primarch is hidden from anyone not of the Twentieth Legion and there is even a bigger secret being kept here.
What is the power of a name in Warhammer 40,000 in your opinion?
B, The Real Significance of Names – If names have power, then they also have a significance, a deeper meaning perhaps.
What does the name Blood Angels mean for that chapter? The chapter often has angelic names for its battle-brothers. The space marines were/are the Emperor’s Angels of Death. Sanguinius was raised in the Baalite tribe ‘Blood’. Post-heresy the Blood Angels and their successors have been cursed with a vampiric heritage and the Red Thirst.
Ultramarines, is it significant only in that Guilliman’s space marines come from Ultramar, or is the significance related to the colour of their name or is it a clever pun on both?
Space Wolves, are they really wolves in space because they have larger canines than is the norm among other marines, or is it a reference to Leman Russ’ upbringing, or is it related to the Wulfen curse, or is it another clever twist on all of them?
Alpha Legion, the last legion to be formed and yet designated in an old dead (in-universe) language as the first. Alpharius, the last primarch to be found yet his name has one (of course there are multiple meanings) meaning of the first. His twin’s name, Omegon, in that same dead language is the last letter of the alphabet.
Among the Raven Guard, a lot of their captains are named after birds, just as Corax is. And they are plays on similar words. Korvydae of the Tenth, Kayvaan Shrike of the Third, Corvane Valar of the Fifth. Go to wikipedia and do a search for the word Corax and see the results that come up.
Perhaps the most telling and important from an in-universe aspect is Horus, primarch of the most accomplished legion during the Heresy, the Warmaster of the Imperium, the Emperor’s most favored son, foremost among all the primarchs. And the one who plunged the entire galaxy into never-ending war. Horus, in egyptian mythology, is one of the oldest and most significant gods. What came to be known during the Heresy as the Eye of Horus, and was previously the Eye of Terra, is an ancient egyptian symbol for protection, royal power and good health. What Horus the primarch did during the Heresy is known to everyone.
Where does this all end?
All of this is something that I’ve been thinking about in this last week. I was quite surprised when I found out that the Corvus Mellori is a species of the crow/raven family Corvidae about two weeks back. The protagonist of my short story is Valerius Mellor. I had accidentally come up with a name that tied my character to the primarch and legion his chapter is descended from. And yes, it was quite unintentional.
All this comes down to the collective fact that Black Library does not want its writers, particularly ones who are aiming to get published through them the first time (established writers might be getting some leeway), to invent new chapters. I can see where they are coming from because there is such a large number of canon chapters we known nothing about. Some of them exist as nothing but names, they have no livery, heraldry, home or any kind of backstory.
This put me in a real bind because even though Sons of Corax was a stopgap measure to name the Raven Guard successor, I have become quite attached to it. And now I have to change it. Mostly because using my own chapter name is quite a bit of risk and could potentially work against my pitch for the upcoming submissions window. And I really want to not have any negative points against the pitch, especially ones that are easily controllable by me.
So I am now changing the name of the chapter. I have a short list of 4 chapters from Lexicanum’s list of canon chapters. I am very undecided at the moment because each of them represent some aspect of the backstory I have created for the Sons of Corax and I am reluctant to just abandon any of it. I tried to roll for these 4 names (about 50 times mind you to get a nice average) but I was still unhappy.
You see, the name of the chapter matters a lot. It ties it to the primarch, to the original legion. The Sons of Corax have a rich history of having collaborated with the Raven Guard over the years and they have kept some legion practices alive in their original form. They are also quite close to Corax in a spiritual way from what I have envisioned. And the name should reflect the traditions they have inherited from the legion, even though they are Third Founding, and an aspect(s) of the primarch that they think is the most appropriate for the direction they want to go in.
Perhaps all of this is a little too much for just one short story that may not even get picked up. But I think that that is where the difference lies. The difference between a writer who is aiming for quality and one who is just doing it because he/she wants to do it. I am not the best writer out there by any means. And the quality of the fanfic I regularly see on the good old Bolthole reminds me of that everyday and pushes me to perfect my own work that much more.
Its all about the effort you want to put in. And I believe that the more you can show that in the pitch, the better your (and my) chances of getting that foot in the door.
I have had three great critiques on my sample. They all attacked it in very different ways. Some did it from a background perspective. Some based on their own ideas on how things work in-universe. Some based on the technical aspects of the writing process. Some based on just pure logic from their own experiences. Combined, their review has resulted in quite a few changes to the sample in ways I had ignored because I wasn’t aware of the significance. Much thanks to Phalanx, Raziel and Narry for their help on this. Particularly Narry for his help with the names. And all the other Boltholers who helped in the entire process as well.