Truth be told, I don’t have much of an experience with the Catwoman title, apart from a couple issues I read as part of a couple of mini-events at DC. Ann Nocenti’s much-maligned run has put me off quite a bit from checking out her run from the get go, but with some recent changes in Selina’s status quo, particularly the fact that she currently stars in Gotham as her younger self, means that I’m much more interested in Catwoman than I ever was before. I’m generally familiar with her from various animated appearances, but that’s really it. And I think it is great that as of this week Catwoman has a new creative team.
With writer Ann Nocenti moving off to the new series Klarion, Genevieve Valentine is brought in to take the reins of Catwoman and shepherd the titular character to a new phase in her life, where she is no longer Catwoman but is instead Selina Kyle Calabrese, the heir of the Calabrese mob-family, given that her father is its patriarch, Rex Calabrese. Much of this was told in some recent issues of Batman: Eternal, and Valentine takes all of that and just runs with it, delivering a really great story. And the art by Garry Brown and Lee Loughridge is just as exciting as you can expect.
IDW’s Samurai Jack has been a great continuation of an animated series that I feel had an entirely too short a life. I’ve said many times before that the animated series was one of the best programmings that did Cartoon Network did in the early 2000s, easily borne out by the fact that the show went on to win quite a few awards. Jim Zub and Andy Suriano’s run, along with the occasional guest artists, have continued in that same award-winning tradition, making Samurai Jack one of the best comics on shelves right now, which really is all that anyone could have asked for when the series debuted last year.
Recently, Jack’s war against Aku has taken a dramatic turn. His sword lies broken and useless, and with its loss has come a time of ascendancy for Aku since the Jack is divested of his greatest ally and instrument. It was a heartbreaking moment indeed and in last month’s issue we got to see some of the consequences of this. Samurai Jack #13 is more of the same but it also moves the story forward in a great way, and I really liked what Jim did here. Andy Suriano is back on pencilling duties for this arc, with additional art by Ethan Beavers here, and this is another strong installment in a really strong series.
After the end of the 2-parter arc in late summer that focused on Deadman’s past, last month we got to see a future vision of the Justice League Dark, a future in which The Demon has joined the team and Zatanna is fighting some of the biggest battles of her life. It was a fairly good issue, but it didn’t really satiate my desire to read more of the JLD in the present DC timeline, since the current team dynamics are really excellent and writer J. M. DeMatteis has been dong some great work on the series, focusing on particular characters every few issues, and the art has never been better either.
In this week’s Justice League Dark #35, J. M. DeMatteis presents a story where Zatanna and Constantine have cast a really powerful spell that has torn the fabric of reality and sent the entire team hurtling through the multiverse. Separated from the others, Zatanna ends up on a world unlike any she has seen with monsters unlike any other either. And she meets someone completely unexpected, setting off a great story that explores Zatanna’s past and provides some great emotional moments. Tom Derenick and Scott Hanna are the guest artists on this issue along with Chris Sotomayor and they absolutely knock things out of the park.
In the wake of last week’s episode of CW’s Arrow, I find myself a bit disheartened. With Sara’s death and the introduction of noted master-archer Simon Lacroix making his television debut, having been introduced last year in comics by creators Jeff Lemire and Andrea Sorrentino, I was all ready for a big archer-off between Ollie and Simon, but I guess that’s not really going to happen. So the mystery remains of who killed Sara and why. Trust Arrow to play cards close to the chest. But then, that’s one of the reasons why I love the show so much anyway, and this week’s episode wasn’t too different.
The new episode this week is titled “Corto Maltese” and as per last week’s teaser at the end of “Sara“, we know that this episode deals with Ollie going to Corto Maltese to find Thea, who has been training there with her blood-father Malcolm Merlyn, to get over her emotional troubles from the second season. It is a fantastic episode in almost every way that matters, and I loved seeing the new Thea on the show, a Thea who is much more confident of herself now, and who really can take care of herself. And with everything happening with Laurel, things are really looking to be on the up and up for the show’s female cast.
With three great episodes in the bag so far, CW’s The Flash is powering on to some really great things, especially since next week is going to see the debut of one of Flash’s greatest villains, Leonard Snart aka Captain Cold in all his parka glory. Fun yeah? And to go with that, the current Season Zero comics are also doing their bit to expand Barry’s villains roster. The previous issues have all been leading up to this particular one, out a few days ago, and the journey to this point has certainly been great, with a nice simplistic villain like Strong Man leading the charge on that front.
Previously we’ve seen that there’s a criminal mastermind at work within Central City, who is targeting the “enemies” of a local traveling circus, and that Barry has already gone up against some of the circus workers. Team Barry manages to suss out the identities of these new villains, leaving it to the hero to confront the big bad, and it is a great moment filled with some wonderful stuff that can only be possible in comics and not in television. The writing is mostly consistent with what we’ve seen already on this title, and the art is as great as it has ever been, so The Flash Season Zero #4 is a good installment altogether.
Just before The Flash’s third episode debuted this week, CW went ahead and gave a season order for the show, meaning that The Flash will go on for a full season of 23 episodes. This is great news since The Flash is a really great show and I would dare say that it is even better than Arrow was in its first season. The show is living up to its claim of the most comic book show on air, and I’d say that it is starting off even better than CW’s previous big hit, Smallville did. Some really cool villains have debuted so far, with more to come, and the cliffhangers certainly have been quite jaw-droppingly amazing.
“Things You Can’t Outrun” introduces the villain known as Mist to the audiences, and it proves to be another great episode, though the mist isn’t as cool or as awesome as either Weather Wizard or Multiplex. Barry faces a huge challenge once again, still getting used to his powers, and one of the other reasons that this episode was so good was that we get to see flashbacks to the explosion at the STAR Labs particle accelerator, finally debuting Robbie Amell’s Ronnie Raymond as well, the future Firestorm. Lots of things happened this week and it was all fantastic.
The Secret Origins is one where each issue contains three short stories, each about a different superhero and supervillain in the DC universe and their respective origins. I’ve been fairly interested in the series for a while now, though I haven’t really gotten into it as yet. There’s already so many titles I want to read every month that just managing any more is a super-task. But still, the concept of the series is a good one and it really does seem to give you a brief taste of different characters and titles in a single package, so why not check it out yeah? Least, that’s what my thinking was when I picked up this week’s issue.
Secret Origins #6 is the origin stories of Wonder Woman, Deadman and Sinestro, from the respective creative teams of Wonder Woman, Justice League Dark and Sinestro, with some changes. Each story deals with the earliest days of the respective characters, and each story is executed well with enough callbacks to later events in the characters’ histories or even their respective ongoing titles. There is a right crazy mix of creators here, and I can definitely recommend this one, for it is a great standalone issue given you a great brief look at three of DC’s greatest characters.
Thanks to CW’s Arrow, the character of Slade Wilson aka Deathstroke has enjoyed a great surge in popularity in recent years. Manu Bennett’s portrayal of DC’s greatest mercenary/assassin has enchanted people everywhere and when he stepped up as the big bad of the show’s second season last year, things really kicked off for him in a major way. However, the character hasn’t enjoyed as much popularity in the comics, with his most recent run ending rather unceremoniously, though not as abruptly as some of the other of DC’s New 52 books. I never read that first series, mostly because I wasn’t interested in the character so much back then.
But now things are different. Now I want to read more about Slade Wilson and the reins of the new series are given in the hands of writer Tony S. Daniel who is also the artist on the series. I’ve never really enjoyed any of Tony’s previous work for DC, mostly because there’s always something lacking in his stories or his dialogues, though his art is usually good. Deathstroke #1 however, is a departure from the former. It is quite an interesting story of a man as skilled and talented as Slade Wilson is supposed to be and Tony does a fairly decent job with him, though some of his deficiencies do show up here.
After two rather dreary weeks of reading comics, where I didn’t manage to hit my recent highs of 40 singles/graphic novels a week, this week was much different. I got back on track for one, and moved through three entire volumes of DC’s Earth 2, almost catching up to the current status of the series.
The surprise hits of this week were Blood Queen Annual 2014 from Dynamite Entertainment, Deadpool’s Art of War #1 from Marvel Comics and Trinity of Sin #1 from DC Comics. The comics that disappointed me this week were Wytches #1 from Image Comics and Death of Wolverine: Logan Legacy #1 from Marvel Comics. Of the other titles, the ones that I really loved were recent ongoings like Flash Gordon #6, Unity #0 or even Ms. Marvel #9.
When Marvel’s Avengers ended, it set a new standard for superhero movies. To the best of my knowledge, superhero team movies hadn’t happened before this movie, especially not when the movie in question was preceded by no less than four movies that set the stage for it. With Avengers, Marvel’s cinematic universe also moved into a new phase, a phase where we’ve seen some big changes in teh status quo for the various heroes and where we’ve also gotten to see lots of new characters, heroes and villains alike as well. And now, in just about half a year, we are going to see Avengers: Age of Ultron, the next big Marvel money-maker.
Avengers: Age of Ultron does not have anything to do with last year’s Age of Ultron event in the comics, though they both share the same name. It is going to be a new story about the sentient robot built (most often in the comics) by Hank Pym, the Ant-Man, that then goes on a genocidal rampage against humanity. Of course, we haven’t seen Pym in the MCU as yet, though there is a movie coming out soon that deals with his successor as Ant-Man, Scott Lang, so it is all going to rest in the hands of the MCU’s go-to tech-serf, Tony Stark aka Iron Man. Last night, after a trailer of the upcoming movie leaked out, Marvel and Disney went ahead and released the official teaser, and by gods it is awesome!
Marvel’s Agents of SHIELD has had a fairly good second season so far, quite unlike the start of its debut season. New characters have come on the playing field, with new objectives, new mysteries, new dynamics and while I kind of don’t like how some characters have been treated, such as Lucy Lawless’ undercover SHIELD agent in the very first episode, others have turned out be handled much better, such as Agent Simmons and Skye, along with Glenn Talbot and a bunch of others. We are also getting to see more of Skye’s hidden past and that’s a great thing after the season-long mystery last year.
In this week’s “A Hen In The Wolf House” we meet up with one of the other new characters that I’ve really been looking forward to seeing this season: Adrianne Palicki’s Bobbi Morse aka Mockingbird. While the episode doesn’t yet reveal her codename, she is presented as HYDRA’s chief of security in a rather draconian portrayal and having Adrianne as a regular on the show is a huge boost as far as I’m concerned. And her interplay with Agent Simmons is just fantastic as well. But the real kicker comes in the form of Kyle MacLachlan’s The Doctor, who is Skye’s mysterious father, whom we get to see a lot of this week, with a rather creepy portrayal .
NBC’s The Blacklist has had an interesting second season so far. Lots of new characters have strung up in the wake of season one’s finale, and the Reddington Task Force has experienced some big changes of its own, whether that is losing some people or gaining some new allies. But things are still in flux, as they ever are on this show, and that is a good thing, since there are some mysteries still left unexplored, which define the show itself, and none more so than the relationship between Red and Liz, which got murkier and ever more mysterious in last week’s “Dr. Linus Creel“.
In “The Front” this week we see the heroes go up against a group of eco-terrorists, who have some grand plans for cleansing the world of the species that eradicates dozens of species a year. It all starts off with a murder, and by the end we are left with the team redefining some of its interrelationships and also Red finally getting one of the things he has wanted since the start of the season.It is not all that interesting an episode, personally speaking, since the eco-terrorists were rather boring, but the good thing is that the subplot involving Red and his investigation still remains a strong story, despite everything else.